arXiv Computer Vision
Sep 11

Dream4D: Lifting Camera-Controlled I2V towards Spatiotemporally Consistent 4D Generation

Dream4D is a new framework for generating spatiotemporally coherent 4D content. It uses a two‑stage pipeline: first, few‑shot learning predicts optimal camera trajectories from a single image; second, a pose‑conditioned diffusion process creates geometrically consistent multi‑view sequences that are converted into a persistent 4D representation. The method uniquely combines rich temporal priors from video diffusion models with geometric awareness from reconstruction models, achieving higher quality metrics such as mPSNR and mSSIM compared to existing approaches.

By Xiaoyan Liu, Kangrui Li, Jiaxin Liu, Yuehao Song, Yujie Xing
arXiv Computer Vision
Aug 25

BulletTime: Decoupled Control of Time and Camera Pose for Video Generation

BulletTime presents a 4D‑controllable video diffusion framework that separates scene dynamics from camera pose, allowing precise manipulation of both temporal and spatial aspects of generated videos. The model conditions on continuous world‑time sequences and camera trajectories, integrating them via a 4D positional encoding in the attention layer and adaptive normalizations for feature modulation. A specially curated dataset with independently parameterized temporal and camera variations is used for training, and the resulting system demonstrates robust real‑world 4D control while maintaining high generation quality and surpassing prior methods in controllability.

By Yiming Wang, Qihang Zhang, Shengqu Cai, Tong Wu, Jan Ackermann, Zhengfei Kuang, Yang Zheng, Frano Raji\v{c}, Siyu Tang, Gordon Wetzstein
arXiv Computer Vision
Sep 2

CameraEditor: Camera-Controlled Image Editing via Video-Prior Sequential Modeling

CameraEditor is a new framework that transforms camera-controlled image editing into a temporal sequence prediction problem. By using video diffusion models, it incorporates a geometric perception module and dynamic reference routing to create precise visual references through dynamic panorama cropping. The method also inserts intermediate transition frames to handle large perspective shifts, maintaining content identity and spatial coherence, and is evaluated on a dataset of 5,760 instances with a benchmark of 462 test cases, achieving state‑of‑the‑art performance.

By Xin Shen, Chengyou Jia, Keshuo Xing, Zifeng Zhu, Changliang Xia, Bowen Ping, Zhuohang Dang, Hangwei Qian, Minnan Luo