Hugging Face Trending Papers

Phonetic and semantic analyses of spoken corpora of Beijing and Taiwan Mandarin indicate that the neutral tone is a lexical tone

The neutral, or floating, tone of Mandarin Chinese is a tone with an enigmatic set of properties. It has been described as a reduced tone, or as a tone that sometimes is lexically fixed but that can also be toneless.

arXiv Computation and Language
Sep 21

Beyond Atomic Tokens: Factorizing Syllables for Language Model Pretraining

arXiv:2609. 21362v1 Announce Type: new Abstract: Conventional tokenizers represent text as characters or statistically derived subwords, overlooking the internal phonological structure of syllables and often requiring large vocabularies.

By Nghia Hieu Nguyen, Thai Bao Huynh, Binh-An Dinh-Le, Phu Gia Hoang, Dat Tien Nguyen, Kiet Van Nguyen, Ngan Luu-Thuy Nguyen
arXiv Computation and Language
Sep 16

Reduplicative constructions in Mandarin: Socio-emotional profiling through distributional semantics

The paper investigates Mandarin Chinese reduplicative constructions that repeat two-character base words or their constituents, such as expressions meaning ‘in good health’ or ‘discuss a bit’. Using Tencent word embeddings, the study demonstrates that distributional semantics can recover known semantic and grammatical properties of these reduplications, revealing clear semantic and pragmatic differentiation between the two patterns. Procrustes analysis shows that the overall organization of the base-word space is largely preserved in the reduplication space, with local mismatches indicating discourse-pragmatic reorganization.

By Chaoyi Wu, Yu-Hsiang Tseng, R. Harald Baayen
arXiv Computation and Language
Sep 1

When Models Hear What They Expect: Diagnosing Prosodic Heuristics in Multimodal Sarcasm Detection

The study investigates how multimodal large language models (MLLMs) use prosodic cues in sarcasm detection. By testing Qwen2.5‑Omni and Qwen3‑Omni on Mandarin Chinese and English across five modality conditions, the authors find that adding audio increases false positives without improving true positives. Acoustic error analysis shows that models rely on a stereotypical prosodic pattern—elevated pitch and irregular pausing—that does not align with genuine sarcasm cues, and manipulating these dimensions alone can raise false positive rates up to 60%. The same effect appears in Gemini 3 Flash Preview, indicating the heuristic is not limited to a single architecture.

By Yongjian Chen, Pengfei Wei, Yiqun Sun, Zhu Li, Lawrence B. Hsieh
arXiv Computation and Language
Sep 1

Vocal Music under Phoneme-Conditional Analysis

arXiv:2608.30823v1 Announce Type: cross Abstract: The vocal music of each language carries a distinctive sonic identity, even without instrumental accompaniment. We ask whether these differences are...

By Hayoon Kim, Kyogu Lee
arXiv Computation and Language
Aug 31

Is Prosody Lost in Translation? Fine-Grained Cross-Lingual Prosody Similarity Across Languages

This paper investigates whether prosodic features—pitch, energy, and timing—are preserved when speech is translated between languages. Using multilingual dubbing data for English‑German, English‑Spanish, and English‑French pairs, the authors conduct a fine‑grained cross‑lingual analysis to quantify similarities and differences in prosody. The study identifies inherent cross‑lingual correlations in prosodic structure and explores how linguistic and alignment factors influence these patterns.

By Haopeng Xie, Ismail Rasim Ulgen, Sofia Son, Berrak Sisman, Philipp Koehn
arXiv Computation and Language
Sep 17

T-SANDHI: Tone Sandhi-aware Adaptive Network with Decoupled Hybrid Injection for Low-resource Taiwanese Hokkien Speech Recognition

T‑SANDHI is a lightweight Taiwanese Hokkien ASR model that addresses tone sandhi by decoupling surface acoustics from lexical intent on a frozen Whisper backbone. It uses a lexicon‑guided multi‑task learning framework with text‑derived pseudo labels and a hybrid injection module that dynamically gates independent citation and sandhi phonetic streams. Experiments on the TAT‑MOE corpus and two blind test sets show that this explicit disentanglement resolves tonal mapping confusion and outperforms baselines while keeping parameter usage low.

By Hung-Yang Sung, Chien-Chun Wang, Tien-Hong Lo, Yu-Sheng Tsao, Yung-Chang Hsu, Berlin Chen