Prior work on aesthetic composition typically produces a single aesthetically pleasing crop, overlooking the narrative value of composing multiple shots from one scene. In practice, multi-shot composition is critical for downstream creative workflows: commercial posters often require multiple crops with different emphases (e.
arXiv:2512. 12675v3 Announce Type: replace-cross Abstract: Subject-driven image generation has advanced from single- to multi-subject composition, while neglecting distinction, the ability to distinguish and generate the correct subject when inputs contain multiple candidates.
By Yuran Wang, Bohan Zeng, Chengzhuo Tong, Wenxuan Liu, Yang Shi, Xiaochen Ma, Hao Liang, Yuanxing Zhang, Wentao Zhang
arXiv:2606. 30347v1 Announce Type: cross Abstract: We present FFAvatar, a Transformer-based 3D Gaussian framework for fast construction of high-quality and animatable 4D head avatars from one or more reference portrait images.
By Jianjiang Yao, Ke Xian, Renxiang Dai, Robert Caiming Qiu
arXiv:2608. 07570v1 Announce Type: cross Abstract: Explainable aesthetic image cropping requires not only localizing a visually pleasing crop but also explaining why it is preferred.
By Rui Yang, Wei Zhou, Dingyong Gou, Xiaohui Cui, Cong Li, Yinyin Gong, Yipo Huang, Jiliang Zhao
arXiv:2606. 06885v1 Announce Type: cross Abstract: Human Image Animation has seen significant advancements, primarily driven by diffusion models.
By Yuan Zeng, Yujia Shi, Zongqing Lu, QingMin Liao
arXiv:2607. 10165v1 Announce Type: cross Abstract: Emotion-aware artistic image generation requires an image to match the input prompt, follow the specified artistic style, and convey the target emotion.
By Dexiang Hong, Yijie Guo, Weidong Chen, Xinyan Liu, Zixuan Zou, Zhendong Mao, Yongdong Zhang
arXiv:2608. 06751v1 Announce Type: cross Abstract: Artist-grounded image generation requires more than appending an artist name to a prompt.
By Kuan Xing, Ye Wang, Changyi Gan, Yuheng Li, Thao Nguyen, Yi Chang, Yilin Wang
Composition, the deliberate arrangement of visual elements, is central to how meaning, emotion, and aesthetic quality are conveyed in artwork, yet it remains among the least formalized dimensions of visual understanding. Prior work highlights a persistent gap in learning meaningful compositional representations, attributing it to semantic bias and suggesting that human-inspired approaches may be key.
Despite remarkable progress in text-guided image editing, generative models frequently fail to preserve visual object consistency, defined as the preservation of a subject's key attributes throughout the editing process. We address this limitation through three contributions.
arXiv:2606. 08841v1 Announce Type: new Abstract: Text-to-image diffusion models are increasingly deployed in open-ended creative contexts, yet their outputs remain impersonal, optimized for aggregate aesthetics rather than individual taste.
By Harini SI, Somesh Singh, Yaman Kumar Singla, David Doermann, Rajiv Ratn Shah
arXiv:2509. 24900v2 Announce Type: replace-cross Abstract: The performance of unified multimodal models for image generation and editing is fundamentally constrained by the quality and comprehensiveness of their training data.
By Zhihong Chen, Xuehai Bai, Yang Shi, Chaoyou Fu, Huanyu Zhang, Haotian Wang, Xiaoyan Sun, Zhang Zhang, Liang Wang, Yuanxing Zhang, Pengfei Wan, Yi-Fan Zhang
arXiv:2507. 17853v2 Announce Type: replace-cross Abstract: Recent advances in text-to-image (T2I) generation have led to impressive visual results.
By Lifeng Chen, Jiner Wang, Zihao Pan, Beier Zhu, Xiaofeng Yang, Chi Zhang