Image style is a highly abstract, human-constructed concept shaped by a range of visual factors and intrinsically entangled with content, yet a unified and explicit definition of image style remains l...
The paper introduces Abstraction in Style (AiS), a generative framework that separates structural abstraction from visual stylization. AiS first creates an abstraction proxy that reinterprets a target image’s structure according to the abstraction logic of a given style, then renders this proxy to produce a stylized output. By learning transformations from visual exemplars without explicit geometric supervision, AiS enables a broader range of stylistic transformations, improves controllability, and allows more expressive stylization.
By Min Lu, Yuanfeng He, Anthony Chen, Jianhuang He, Pu Wang, Daniel Cohen-Or, Hui Huang
Abstract‑LoRA introduces a lightweight LoRA training approach that targets specific U‑Net blocks in diffusion models to improve single‑image style transfer. By refining block selection, adding more blocks, and using clustering‑based style abstraction, it better disentangles and balances style and content compared to prior methods like B‑LoRA. Experiments show that the method produces more harmonious artistic images while quantitatively preserving both style and content.
By Xinglin Hu
Artistic image synthesis aims to recreate the expressive visual identity of a target artist, yet existing methods often fail to capture an artist's global style. Conventional style transfer methods transfer the style of one or a few reference artworks to a content image in a One-to-One manner, making them effective for artwork-level stylization but limited in representing the broader stylistic distribution of an artist.
arXiv:2412.12048v2 Announce Type: replace
Abstract: Low-Rank Adaptation (LoRA) has become a standard approach for parameter-efficient fine-tuning of image diffusion models, with over 200K models trai...
By Chenxi Liu, Towaki Takikawa, Alec Jacobson
arXiv:2607. 04147v1 Announce Type: cross Abstract: Automated fine-grained perception of calligraphy styles--a task vital to cultural heritage preservation--remains a critical challenge for Large Vision-Language Models (LVLMs), largely constrained by existing datasets that suffer from modal mixture and flattened labels.
By Yinsheng Yao, Yan Liu, Chen Ye
Fashion complementary image generation (CIG) aims to create garments that stylistically match a seed item based on user intent, making it a natural multimodal grounding problem where models must inter...
arXiv:2610.10003v1 Announce Type: new
Abstract: Style transfer lacks a reliable evaluation standard: ground truth is inherently ill-defined, and existing automatic metrics often fail to reflect human...
By Yang Deng, Eleftherios Ioannou, David Mould, Steve Maddock, Paul L. Rosin, Yu-Kun Lai
arXiv:2507. 17853v2 Announce Type: replace-cross Abstract: Recent advances in text-to-image (T2I) generation have led to impressive visual results.
By Lifeng Chen, Jiner Wang, Zihao Pan, Beier Zhu, Xiaofeng Yang, Chi Zhang
arXiv:2608.23302v1 Announce Type: new
Abstract: Fashion complementary image generation (CIG) aims to create garments that stylistically match a seed item based on user intent, making it a natural mul...
By Matteo Attimonelli, Claudio Pomo, Alessandro De Bellis, Danilo Danese, Dietmar Jannach, Tommaso Di Noia
arXiv:2608.29905v1 Announce Type: new
Abstract: Text-guided style editing of 3D assets is essential for adapting existing objects to diverse visual aesthetics in digital content creation. Despite rap...
By Tomohiro Aizawa, Shigeru Kuriyama, Chunzhi Gu
SenseNova-U1.5 is an 8B‑MoT native unified multimodal model that can understand, reason about, and generate visual content without using an encoder or VAE. It improves visual fidelity and text rendering through spatially coherent patch reconstruction, large‑scale training on curated generation and editing data, and native resolutions up to 4K. Post‑training, specialized experts for visual aesthetics, bilingual text rendering, infographic generation, and image editing are optimized and distilled into a multi‑expert framework, yielding advances in image fidelity, complex composition, multi‑reference editing, and instruction following.
By Haiwen Diao, Jiahao Wang, Chenjing Ding, Hanming Deng, Jiangnan Chen, Ruixi Zhang, Ruohui Wang, Wenwen Tong, Xiangyu Fan, Yubo Wang, Yue Zhu, Yuwei Niu, Zhengqi Bai, Zhiqian Lin, Zhitao Yang, Zhongang Cai, Bo Yang, Chen Feng, Chengguang Lv, Guangjia Liu, Guanlin Wang, Hanyu Zhang, Haojia Yu, Hongcan Xiao, Hongli Wang, Huan Wu, Huaping Zhong, Jian Fang, Jianan Fan, Jiaqi Li, Jiefan Lu, Jing Zuo, Jingcheng Ni, Junxiang Xu, Linjun Dai, Mutian Xu, Peishen Yan, Penghao Wu, Ruijie Mao, Ruisi Wang, Shihao Bai, Shuang Yang, Shuya Yang, Shuyan Zheng, Silei Wu, Siying Li, Tao Chu, Tianbo Zhong, Tongxi Zhou, Weichao Luo, Weichen Fan, Wenhao Jia, Wenjie Gao, Xiangli Kong, Yan Li, Yang Yong, Zimo Wen, Zixuan Qian, Wenxiu Sun, Ruihao Gong, Quan Wang, Lewei Lu, Lei Yang, Ziwei Liu, Dahua Lin