Perceptually Aligned Evaluation of Style Transfer
Read the original on arXiv Computer Vision →The Flow has not summarised this story yet — read it at arXiv Computer Vision.
The Flow has not summarised this story yet — read it at arXiv Computer Vision.
arXiv:2605. 00924v2 Announce Type: replace-cross Abstract: AI-generated content (AIGC) detectors are increasingly deployed in high-stakes settings such as academic integrity screening, yet their reliability rests on a fundamental paradox: as language models are trained on human-written corpora, the statistical boundary between AI and human writing will inevitably dissolve as models improve.
Abstract‑LoRA introduces a lightweight LoRA training approach that targets specific U‑Net blocks in diffusion models to improve single‑image style transfer. By refining block selection, adding more blocks, and using clustering‑based style abstraction, it better disentangles and balances style and content compared to prior methods like B‑LoRA. Experiments show that the method produces more harmonious artistic images while quantitatively preserving both style and content.
Artistic image synthesis aims to recreate the expressive visual identity of a target artist, yet existing methods often fail to capture an artist's global style. Conventional style transfer methods transfer the style of one or a few reference artworks to a content image in a One-to-One manner, making them effective for artwork-level stylization but limited in representing the broader stylistic distribution of an artist.
Image style is a highly abstract, human-constructed concept shaped by a range of visual factors and intrinsically entangled with content, yet a unified and explicit definition of image style remains l...
arXiv:2412.12048v2 Announce Type: replace Abstract: Low-Rank Adaptation (LoRA) has become a standard approach for parameter-efficient fine-tuning of image diffusion models, with over 200K models trai...
Traditional Image Aesthetic Assessment (IAA) methods mainly rely on regressing absolute Mean Opinion Scores (MOS). However, such a paradigm overlooks the inherently dynamic nature of human aesthetic perception, which relies on subconscious comparison against implicit visual references.