arXiv:2607. 01974v1 Announce Type: cross Abstract: This technical report describes our system for Task 1 of the DCASE 2026 Challenge, which aims to classify heterogeneous audio recordings according to the Broad Sound Taxonomy (BST).
arXiv:2607. 06179v1 Announce Type: cross Abstract: There are some datasets of varying scales for audio classification (AC) applied to different tasks.
We benchmark eleven audio classification methods: five task-aware closed-set LLMs (four Gemini models plus open-weight Kimi-Audio-7B-Instruct), four fixed-vocabulary taggers (YAMNet, PANNs, Whisper-AT, and SSLAM), a zero-shot audio-text model (CLAP), and an audio-grounded LLM (BAT). We evaluate them on a closed-set sound-source identification task over 2,242 clips spanning 23 fine-grained classes and 11 categories.
arXiv:2603. 09714v2 Announce Type: replace-cross Abstract: While multi-audio understanding is critical for large audio-language models (LALMs), it remains underexplored.
UniAE-MoE is a unified audio encoder that uses a Mixture-of-Experts architecture to model cross‑domain audio representations. It integrates encoder components from Qwen2‑Audio and Audio‑Flamingo 3, enhances them with SwiGLU and shared experts, and applies a two‑stage instruction‑tuning strategy along with task‑specific data scaling. The model achieves state‑of‑the‑art results on the XARES‑LLM benchmark (0.802) and tops the Interspeech 2026 Audio Encoder Capability Challenge, demonstrating strong generalization across speech, music, and general audio tasks.
arXiv:2607. 16736v1 Announce Type: cross Abstract: This paper presents RealDESED, a real-world domestic sound event detection (SED) benchmark comprising 5,710 audio recordings collected by 652 participants in their homes.
MADS (Multi-view Acoustic Descriptor Set) is a compact 19‑dimensional, physics‑informed descriptor set designed to capture spectral, temporal, mechanical, and stochastic aspects of audio signals. Unlike traditional log‑mel or MFCC representations, MADS encodes excitation, damping, periodicity, impulsiveness, and structural consistency in a unified multi‑view format. Evaluated on ESC‑10, ESC‑50, and MSoS datasets with classical machine learning models, MADS outperforms conventional 26‑D MFCC and 38‑D spectral‑summary baselines, achieving 81.00% on ESC‑10, 52.78% on ESC‑50, and 67.48% on MSoS while using roughly half the dimensionality of the 38‑D baseline.
AudioFuse is a hybrid architecture that jointly learns from spectrograms and raw waveforms to classify phonocardiograms. It combines a wide-and-shallow Vision Transformer for spectral features with a shallow 1D CNN for temporal waveforms, reducing overfitting while capturing complementary information. On the PhysioNet 2016 dataset, AudioFuse achieves a state‑of‑the‑art ROC‑AUC of 0.8608 and shows superior robustness to domain shift on the PASCAL dataset, outperforming both spectrogram‑only and waveform‑only baselines.
arXiv:2607. 14474v1 Announce Type: cross Abstract: This paper details the DS@GT ARC team's approach to BirdCLEF+ 2026, multi-label detection of animal vocalizations in soundscapes from the Pantanal wetlands.
arXiv:2609.27389v1 Announce Type: cross Abstract: Audio language models understand what is said far better than how it sounds. Closing this gap takes more than data. Detailed acoustic annotation is c...
arXiv:2606. 14662v1 Announce Type: new Abstract: Pretrained audio embeddings are standard in bioacoustics, yet little is known about which acoustic features these models encode, nor which are useful for a given task.
arXiv:2512. 10120v2 Announce Type: replace-cross Abstract: General-purpose audio representations aim to map acoustically variable instances of the same event to nearby points, resolving content identity in a zero-shot setting.
arXiv:2607. 01297v1 Announce Type: cross Abstract: Most existing audio classification methods suppose that each query (testing) sample belongs to a class of support (training) samples, and misrecognize samples of unseen classes as seen classes (cannot reject samples of unseen classes).