arXiv:2607. 05769v1 Announce Type: cross Abstract: We propose a novel pipeline, Legato 2, for extracting symbolic notation and semantic knowledge from images of sheet music.
By Guang Yang, Brian Siyuan Zheng, Victoria Ebert, Noah A. Smith
arXiv:2609.05662v1 Announce Type: cross
Abstract: Full-page end-to-end Optical Music Recognition seeks to transcribe entire music pages directly into symbolic notation, avoiding the limitations of tr...
By Adrian Rosello, Antonio R\'ios-Vila, David Rizo, Jorge Calvo-Zaragoza
Optical music recognition (OMR) transcribes music scores into digital formats. While the field has advanced significantly on monophonic and piano-form scores, multi-part score transcription remains underexplored, largely due to the absence of a suitable dataset.
UniLipi is a unified multi‑script OCR model trained on 13 Indic scripts to recognize handwritten manuscripts under challenging conditions such as varied line geometry, length, and interruptions by non‑textual elements. It uses script‑aware synthetic data generation to perform well even with limited real annotated data. The model also predicts script identity and per‑line character counts, aiding manuscript cataloging, and its representations transfer to contemporary Indic handwriting and several non‑Indic scripts.
By Tathagata Ghosh, Sai Madhusudan Gunda, Simran Singh Sandral, Ravi Kiran Sarvadevabhatla
arXiv:2512. 02652v2 Announce Type: replace-cross Abstract: Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language.
By Hong-Jie You, Jie-Jing Shao, Xiao-Wen Yang, Lin-Han Jia, Lan-Zhe Guo, Yu-Feng Li
arXiv:2607. 00777v1 Announce Type: cross Abstract: Recognizing jazz standards from audio is a challenging form of tune-level music retrieval: different performances of the same standard may vary in tempo, key, arrangement, instrumentation, improvisational content, and even whether the head melody is present.
By \c{C}a\u{g}r{\i} Eser