Gangqinpu is a large, multi‑genre piano dataset that provides aligned audio, MIDI, and musical scores for 18,786 pieces, covering pop, classical, jazz, folk/traditional, rock, and blues. The dataset includes automatic note‑level alignments, beat/downbeat annotations, genre labels, and a binary classifier to filter non‑expressive performances. It is designed to reduce data leakage with ASAP splits and has shown cross‑dataset improvements in beat tracking and in‑domain gains for transcription and expressive performance rendering.
By Wei Zeng, Anvay Mathur, Ye Wang
MUUNRiver-Bench is a diagnostic benchmark for music retrieval that uses natural‑language instructions to define relevance for reference‑audio queries. It contains 3,440 tracks across 13 genres and 116 sub‑genres and covers seven tasks such as similar‑music, style‑preserving lyric‑rewriting, cover, and segment retrieval. Experiments with six models in eight configurations show that acoustic encoders favor local identity while text‑aligned encoders favor semantic relations, and that instruction‑aware and audio‑text fusion systems do not consistently outperform their backbones.
By Zhancheng Guo, Congren Dai, Shangda Wu, Jianhuai Hu, Danni Zhao, Xiaobing Li, Maosong Sun
The paper evaluates whether music‑text models truly capture fine‑grained musical meaning by introducing attribute‑swap perturbations that exchange properties such as timbre or order between instruments in a caption. Four contrastive models and one large audio‑language model were tested to see if they would score higher on the original caption than on the perturbed one. The results show that none of the contrastive models reliably distinguish the captions, and the audio‑language model’s advantage stems mainly from language priors, indicating that CLAP scores behave like a bag‑of‑words and fail to reflect attribute bindings.
By Yuan-Chiao Cheng, Alexander Lerch
arXiv:2511. 05550v3 Announce Type: replace-cross Abstract: Large audio language models (LALMs) leverage multimodal representations to generate open-ended answers to natural language queries about audio.
By Daniel Chenyu Lin, Michael Freeman, John Thickstun
In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes. The proposed framework supports three tasks: Lyrics-to-Song Generation, which generates complete songs from text descriptions, lyrics, and musical attributes; Instrumental Music Generation, which creates music without vocals; and Cover Song Generation, which reinterprets existing songs with different styles while preserving their melodic content.
arXiv:2606. 10010v1 Announce Type: cross Abstract: Evaluating text-to-music (TTM) systems remains expensive because music impression (MI) and text alignment (TA) scores rely on human mean opinion scores (MOS).
By Chien-Chun Wang, Hung-Shin Lee, Hsin-Min Wang, Berlin Chen