Multimodal Dataset Normalization and Perceptual Validation for Music-Taste Correspondences
Read the original on arXiv Machine Learning →The Flow has not summarised this story yet — read it at arXiv Machine Learning.
The Flow has not summarised this story yet — read it at arXiv Machine Learning.
arXiv:2607. 03296v1 Announce Type: cross Abstract: Crossmodal correspondences between sound and taste are well established in psychology and neuroscience, but largely absent from content-based multimedia retrieval.
Project Qualia investigates whether experiential similarity between songs can be extracted from listening behavior. Using 1.29 billion scrobbles from 9,396 users, the authors trained a Word2Vec model (Song2Vec) on session data, then applied an artist‑residual procedure to isolate artist‑independent signals. The residual embeddings still contained strong cross‑artist similarity, forming coherent genre and era clusters, demonstrating that experiential structure exists beyond artist identity.
We benchmark eleven audio classification methods: five task-aware closed-set LLMs (four Gemini models plus open-weight Kimi-Audio-7B-Instruct), four fixed-vocabulary taggers (YAMNet, PANNs, Whisper-AT, and SSLAM), a zero-shot audio-text model (CLAP), and an audio-grounded LLM (BAT). We evaluate them on a closed-set sound-source identification task over 2,242 clips spanning 23 fine-grained classes and 11 categories.
ONOTE is a unified framework that treats music as a scientifically structured domain of measurable cross-representation correspondences, focusing on omnimodal notation processing centered on sheet music. It introduces a test-only benchmark drawing from diverse musical sources—including staff, Jianpu, and tablature—across varied genres, instruments, and structural conditions, with aligned multimodal derivatives. The framework supports four complementary tasks—score understanding, notation conversion, audio transcription, and symbolic generation—while constructing a provenance-bearing proposition hypergraph from external music-theory materials for evidence retrieval and deterministic validity checks.
arXiv:2608.29249v1 Announce Type: new Abstract: The online culinary ecosystem is increasingly populated by recipe content generated, modified, or summarized by Large Language Models (LLMs). While oft...
The paper introduces the MATCHA dataset, comprising 1,105 perceptual assessments from 83 experts on attribute-based music matches across five musical attributes—melody, harmony, rhythm, voice, and timbre. A triplet-based forced-choice experiment with 300 cases, including plagiarism, cover songs, and AI-generated music, was used to gather these judgments. Results show measurable agreement among participants and partial alignment with computational similarity measures, highlighting the need for perceptually grounded evaluation in generative AI for music.