← Back to all news
arXiv Machine Learning By Nizam Mohammed, Abu B. S. Rahman, Dimuthu D. K. Arachchige

Project Qualia: Recovering Experiential Music Structure from Session Co-occurrence Data

Read the original on arXiv Machine Learning →

Project Qualia investigates whether experiential similarity between songs can be extracted from listening behavior. Using 1.29 billion scrobbles from 9,396 users, the authors trained a Word2Vec model (Song2Vec) on session data, then applied an artist‑residual procedure to isolate artist‑independent signals. The residual embeddings still contained strong cross‑artist similarity, forming coherent genre and era clusters, demonstrating that experiential structure exists beyond artist identity.

Machine-generated by The Flow from the publisher's headline and feed description — not written or checked by a human. The full article lives at arXiv Machine Learning.

Related stories

arXiv AI
2d ago

MUUNRiver-Bench: Diagnosing Relation-Dependent Music Retrieval with Multimodal Instructions

MUUNRiver-Bench is a diagnostic benchmark for music retrieval that uses natural‑language instructions to define relevance for reference‑audio queries. It contains 3,440 tracks across 13 genres and 116 sub‑genres and covers seven tasks such as similar‑music, style‑preserving lyric‑rewriting, cover, and segment retrieval. Experiments with six models in eight configurations show that acoustic encoders favor local identity while text‑aligned encoders favor semantic relations, and that instruction‑aware and audio‑text fusion systems do not consistently outperform their backbones.

By Zhancheng Guo, Congren Dai, Shangda Wu, Jianhuai Hu, Danni Zhao, Xiaobing Li, Maosong Sun
llmsmultimodalbenchmarks
More like this →
arXiv Machine Learning
Aug 28

Recovering Expert Critic-Sourced Network Adjacency between Musical Artists from Acoustic Distributions: A Construct-Validity Approach

The paper investigates whether expert critic‑sourced relationships between musical artists—called critical adjacency—can be recovered from the artists’ acoustic content. By modeling artists as distributions over 80 low‑level acoustic descriptors and measuring pairwise proximity with Wasserstein distances, the authors achieve an out‑of‑sample AUC of 0.767 for predicting critic‑linked edges, with higher recoverability for edges supported by multiple critics. The results suggest that critical discourse contains a reproducible sonic core, while sociological factors also influence the perceived adjacency between artists.

By Elena Badillo-Goicoechea, Fengfeng He
More like this →
arXiv AI
Sep 2

On the Human and Computer Alignment of Attribute-Based Music Matches

The paper introduces the MATCHA dataset, comprising 1,105 perceptual assessments from 83 experts on attribute-based music matches across five musical attributes—melody, harmony, rhythm, voice, and timbre. A triplet-based forced-choice experiment with 300 cases, including plagiarism, cover songs, and AI-generated music, was used to gather these judgments. Results show measurable agreement among participants and partial alignment with computational similarity measures, highlighting the need for perceptually grounded evaluation in generative AI for music.

By Roser Batlle-Roca, Woosung Choi, Joan Serr\`a, Fabio Morreale, Wei-Hsiang Liao, Xavier Serra, Emilia G\'omez, Yuki Mitsufuji
safety
More like this →