Learning Global Camera Poses from Noisy View-Graphs for Structure from Motion
Read the original on arXiv Computer Vision →The Flow has not summarised this story yet — read it at arXiv Computer Vision.
The Flow has not summarised this story yet — read it at arXiv Computer Vision.
arXiv:2608.22054v1 Announce Type: new Abstract: Structure-from-Motion (SfM) aims to estimate camera poses and reconstruct 3D structures from a collection of unordered images. Compared with incrementa...
arXiv:2610.35501v1 Announce Type: new Abstract: Learning-based structure-from-motion methods such as ACE-Zero have demonstrated strong performance in estimating cameraposes and scene coordinates from...
Learning-based structure-from-motion methods such as ACE-Zero have demonstrated strong performance in estimating cameraposes and scene coordinates from unordered image collections without requiring gr...
arXiv:2603.12064v3 Announce Type: replace Abstract: We address the challenging problem of dense dynamic scene reconstruction and camera pose estimation from multiple freely moving cameras -- a settin...
The paper introduces a benchmark for evaluating Structure-from-Motion (SfM) methods used in novel view synthesis (NVS) such as NeRFs and 3DGS. It compares classical SfM, which relies on local feature matches and bundle adjustment, with recent neural network approaches that regress camera parameters directly for faster but less accurate results. The study finds that reducing feature counts speeds up classical SfM without sacrificing pose accuracy, and that combining neural network initial estimates with classical refinement yields the best balance of efficiency and effectiveness.
LVSPM is a generalizable model that jointly estimates camera poses and synthesizes novel views from uncalibrated image collections. It is trained only with RGB images and pose supervision, avoiding dense 3D ground truth, and uses test‑time training layers to scale to hundreds of input views. On datasets such as RealEstate10k, Co3Dv2, and DL3DV, LVSPM outperforms VGGT in pose estimation across 16–256 views and achieves state‑of‑the‑art pose‑free novel view synthesis quality, maintaining high performance even as scene scale increases.