arXiv:2609.31810v2 Announce Type: replace-cross
Abstract: Video-to-music models have advanced considerably in the last few years, particularly in film and music video applications. In this paper, we...
By Felipe Marra, Lucas N. Ferreira
TTM-Bench is a framework designed to benchmark text-to-music systems by establishing a common protocol for reproducible evaluation. It measures performance along two axes: musical-content alignment—assessed through semantic, genre, and musical-descriptor agreement scores against a shared musical specification—and computational efficiency, which includes generation latency, real-time factor, resource usage for local models, and cost for hosted services. A preliminary case study using TTM-Bench shows that higher alignment does not necessarily mean lower computational demands, underscoring the need for distinct, interpretable metrics.
By Giorgia Adorni, Michela Papandrea, Battista Rimoldi, Tiziano Leidi
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
The paper evaluates whether music‑text models truly capture fine‑grained musical meaning by introducing attribute‑swap perturbations that exchange properties such as timbre or order between instruments in a caption. Four contrastive models and one large audio‑language model were tested to see if they would score higher on the original caption than on the perturbed one. The results show that none of the contrastive models reliably distinguish the captions, and the audio‑language model’s advantage stems mainly from language priors, indicating that CLAP scores behave like a bag‑of‑words and fail to reflect attribute bindings.
By Yuan-Chiao Cheng, Alexander Lerch
arXiv:2608. 04479v1 Announce Type: cross Abstract: Text-to-audio (TTA) generation has recently achieved remarkable progress in synthesizing realistic audio from natural language descriptions.
By Jinting Wang, Yuguang Yang, Shengyu Li, Yan Rong, Shan Yang, Xiaoda Yang, Li Liu
The paper investigates whether audio‑language models capture paralinguistic cues beyond spoken content. Using the Expresso dataset and four open‑source models, the authors trace how speaking style information is encoded in the late layers of the audio encoder but is degraded before reaching the final output. They find that some models are content‑driven while others are acoustic‑driven, revealing a gap between what is encoded and what is utilized in current audio‑language models.
By Bhuvan Koduru, Dareen Safar B Alharthi, Rita Singh, Bhiksha Raj