arXiv:2601. 09448v3 Announce Type: replace-cross Abstract: Conventional audio equalization is a static process that requires manual and cumbersome adjustments to adapt to changing listening contexts (e.
By Ioannis Stylianou, Jon Francombe, Pablo Martinez-Nuevo, Sven Ewan Shepstone, Zheng-Hua Tan
arXiv:2606. 16612v1 Announce Type: cross Abstract: The rapid advancement of AI music generators highlights the urgent need for reliable Synthetic Song Detection (SSD).
By Yan Han, Zhibin Wen, Yuan Wang, Shuangrun Shao, Xiaobing Li, Yang Xu, Wei Li
arXiv:2511. 05350v3 Announce Type: replace-cross Abstract: We argue that training autoencoders to reconstruct inputs from noised versions of their encodings, when combined with perceptually motivated losses, yields encodings that are structured according to a perceptual hierarchy.
By Mathias Rose Bjare, Giorgia Cantisani, Marco Pasini, Stefan Lattner, Gerhard Widmer
arXiv:2608. 07285v1 Announce Type: cross Abstract: AI-generated music is increasingly used at the stem level, with producers integrating synthetic drums, basslines, or vocals alongside human-performed instruments.
By Fernando Garcia de la Cruz, David L\'opez-Ayala, Pablo Zinemanas, Emilio Molina, Mart\'in Rocamora
arXiv:2606. 12662v1 Announce Type: cross Abstract: Speech enhancement models typically apply uniform capacity across all frequencies, disregarding the non-uniform spectral resolution of human hearing.
By Damien Martins Gomes, Fran\c{c}ois Capman
arXiv:2608. 04142v1 Announce Type: cross Abstract: Existing reference-free methods for evaluating music perceptual quality alleviate the need for paired noisy-clean data, but they still rely on a background set, which is used to compute aggregated statistics of clean audio samples.
By Alon Ziv, Harel Pogoda, Yossi Adi