arXiv:2606. 01686v1 Announce Type: cross Abstract: As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow.
By Seonghyeon Go, Yumin Kim
arXiv:2603. 23667v2 Announce Type: replace-cross Abstract: We introduce Echoes, a new dataset for music deepfake detection designed for training and benchmarking detectors under realistic and provider-diverse conditions.
By Octavian Pascu, Dan Oneata, Horia Cucu, Nicolas M. Muller
As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow. Beyond simple track generation, these advancements have catalyzed the adoption of AI-driven methodologies in diverse forms.
arXiv:2608. 14916v1 Announce Type: cross Abstract: AI-generated music detectors are commonly evaluated against original songs, but real-world uploads are often remixed, re-encoded, pitch-shifted, or otherwise edited.
By Alexandru-Stefan Morosanu, Valerian Cecan, Stefan-Daniel Achirei, Laura Erhan
arXiv:2608. 07285v1 Announce Type: cross Abstract: AI-generated music is increasingly used at the stem level, with producers integrating synthetic drums, basslines, or vocals alongside human-performed instruments.
By Fernando Garcia de la Cruz, David L\'opez-Ayala, Pablo Zinemanas, Emilio Molina, Mart\'in Rocamora
arXiv:2608. 06165v1 Announce Type: cross Abstract: Existing audio-to-score (A2S) systems primarily focus on classical music, and the application to popular music remains underexplored.
By Eoin Cummins, Zhongyi Huang, Alexandre D'Hooge, Zhuoro Mo, Yaolong Ju
Generalizable Audio-to-Score (A2S) transcription is fundamentally constrained by the severe scarcity of high-quality, real-world paired data. Relying solely on existing human-annotated datasets often...
arXiv:2608. 14819v1 Announce Type: cross Abstract: Music foundation models are commonly used as frozen audio feature extractors, yet selecting which layer to extract from remains largely heuristic.
By Angelos-Nikolaos Kanatas, Yuexuan Kong, Pablo Alonso-Jim\'enez, Xavier Serra, Dmitry Bogdanov
TUTTI is a new pre‑training framework for audio‑to‑score transcription that uses a large, fully synthetic multi‑instrument dataset generated by a symbolic music model. The approach trains a standard Transformer encoder‑decoder on these synthetic audio‑score pairs, producing a stronger foundational representation than single‑instrument training. When fine‑tuned on real datasets, TUTTI surpasses prior methods, achieving state‑of‑the‑art results and demonstrating strong cross‑instrument transferability.
By Jianhuai Hu, Yashan Wang, Shangda Wu, Zhancheng Guo, Shijie Liang, Wuna Meng, Chuanqi Yang, Xiaobing Li, Feng Yu, Maosong Sun
arXiv:2607. 06929v1 Announce Type: cross Abstract: Music aesthetic assessment is a challenging yet underexplored problem, requiring models to capture fine-grained, multi-dimensional human perceptual judgments.
By Sirui Zhang, Tianle Wang, Xinyi Tong, Peiyang Yu, Jishang Chen, Liangke Zhao, Haoxin Zhang, Duo Xu, Xin Jin, Feng Yu, Songchun Zhu
arXiv:2506. 14293v4 Announce Type: replace-cross Abstract: We present Sleeping-DISCO 9M, a large-scale pre-training dataset for music and song.
By Tawsif Ahmed, Andrej Radonjic, Gollam Rabby
arXiv:2607. 11117v1 Announce Type: cross Abstract: AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution.
By Seohwan Yun, Jeeyoung Yun, Yongjin Kim, Juyeon Lee, Sungwoong Kim