arXiv:2607. 02504v1 Announce Type: cross Abstract: Long-form TV dramas present a formidable challenge for comprehensive video understanding, where deciphering complex storyline often relies on \textbf{speaker recognition}, the task of accurately attributing each spoken utterance to its respective character.
By Yuxuan Li, Lingxi Xie, Xinyue Huo, Jihao Qiu, Jiacheng Shao, Pengfei Chen, Jiannan Ge, Kaiwen Duan, Qi Tian
arXiv:2610.10163v1 Announce Type: new
Abstract: Linking people's appearance and actions to character identities is essential for understanding video narratives. We present a framework for identity-aw...
By Anas Filali Razzouki, Killian Steunou, Khalil Guetari, Thomas Kling, Moun\^im El-Yacoubi, Yannis Tevissen
The paper introduces Short‑Films 20K (SF20K), a large publicly available movie dataset comprising 20,143 amateur films totaling 3,582 hours, with an average length of 12 minutes per film. Accompanying the dataset is SF20K‑Test, a manual open‑ended question‑answering benchmark featuring 95 movies and 979 question‑answer pairs. Analysis of the benchmark shows limited data leakage, highlights the necessity of long‑term reasoning, and demonstrates that instruction tuning on the large‑scale dataset significantly boosts vision‑language model performance.
By Ridouane Ghermi, Xi Wang, Vicky Kalogeiton, Ivan Laptev
arXiv:2607. 11798v1 Announce Type: cross Abstract: Long-form audio description (AD) requires more than describing visible actions: it must preserve characters, events, relationships, and story context across scenes so that blind and low-vision (BLV) audiences can follow a film.
By Seung Hyun Hahm, Minh T. Dinh, SouYoung Jin
arXiv:2608.28699v1 Announce Type: new
Abstract: Understanding long-form video remains a fundamental challenge for multimodal large language models (MLLMs). Sparse frame sampling fails to capture fine...
By Dong-Hee Kim, Seonwoo Choi, Changbeen Kim, Jungmyung Wi, Juyeon Ko, Youngju Choi, Il Hyeon Mun, Hyunwoo J. Kim, Donghyun Kim
The paper introduces MObyGaze, a dataset of 20 films annotated by experts for multimodal objectification, covering 6072 segments across 43 hours of video. It defines objectification through a structured thesaurus of 5 sub‑constructs and 11 concepts spanning visual, speech, and audio modalities. The authors formulate learning tasks, explore label diversity strategies, and benchmark vision, text, and audio models to demonstrate the task’s feasibility.
By Julie Tores, Elisa Ancarani, Lucile Sassatelli, Hui-Yin Wu, Clement Bergman, Lea Andolfi, Victor Ecrement, Remy Sun, Frederic Precioso, Thierry Devars, Magali Guaresi, Virginie Julliard, Sarah Lecossais