PACE (Precise AI Cinematic Expression) is a typed specification that captures a film’s spatial plan—screenplay evidence, characters, props, locations, and camera actions—at script, scene, shot, or panel levels, with inheritance to lower levels. A compiler transforms this plan into prompts for diffusion models and a metrically accurate 3D scene, while a camera solver ensures the declared framing is achieved. Evaluation on the Automatic Drive screenplay and 204 external shots shows high positional accuracy and improved action capture when poses are declared, though transitions and motion remain future work.
By Bing Duan, Qiang Guo, Linpu Li, Zhijian Mao, Min Zhu, Zhirui Ren, Yiwei Yan, Xi Chu, Xiaoding Li
arXiv:2607. 24241v1 Announce Type: cross Abstract: Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models.
By Shengyi Wang, Niantong Li, Guangzheng Hu, Hong Qi, Fei Ding, Weixu Qiao, Jinlin Wang, Xiaotong Lv, Peng Han, Zimeng Li, Fanshu Ding, Yushu Wang, Han Wu, Jingjing Chen, Chongxiao Wang, Yanhao Wu, Chenglong Huang, Xiaoqian Zhu, Jie Tian, Hua Li, Jingjing Fan, Mingshuang Tang, Zhong Li, Hengxia Qiang, Weibin Chen, Jinyang Zhen, Bing Zhao, Lin Qu, Jing Li, Hu Wei
Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models. More fundamentally, their evaluation taxonomies remain rudimentary (overall visual quality, coarse text alignment and temporal smoothness) rather than the professional Cinematic Language criteria by which films are actually made and judged, so they assess basic video plausibility rather than film-grade craft.
Auteur is a language‑driven method that generates human‑centric camera framing for generative video models. It treats shots as framings relative to an actor, encoding shot size, angle, and composition as functions of human pose and motion, and uses a domain‑specific language that converts to standard 6‑DoF camera parameters. A fine‑tuned multimodal large language model acts as a virtual director, mapping natural language descriptions and coarse human motion to sparse DSL keyframes that are interpolated into continuous camera trajectories for video generation.
By Muhammed Burak Kizil, Enes Sanli, Niloy J. Mitra, Xuelin Chen, Erkut Erdem, Aykut Erdem, Duygu Ceylan
arXiv:2610.02323v1 Announce Type: cross
Abstract: Flow-based Vision-Language-Action (VLA) policies generate action chunks by transporting samples from a task-agnostic isotropic Gaussian source. As th...
By Jie He, Wei Li, Junwen Tong, Rui Shao, Wei-Shi Zheng, Liqiang Nie
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
By Shuo Xing, Pooja Verlani, Balu Adsumilli, Zhengzhong Tu
Timeline-Bench is a benchmark comprising 56 real video‑editing tasks that require AI agents to transform raw production material into finished videos. Each task includes a brief, source assets, a container, and a set of tests that assess format, content, brief compliance, and quality based on 2,582 blind judgments by 43 video editors. In evaluations, the best agent resolved only 15 of the 56 tasks, and most failures were due to quality tests rather than technical errors.
The paper introduces GLANCE, a one‑pass block drafting method that enables lossless speculative decoding for vision‑language models. By using a block‑diffusion head that reads the fused vision‑language state, GLANCE eliminates the need for the drafter to process the image at every step, allowing it to fill an entire block in a single forward pass. Experiments show that GLANCE can decode up to 2.93× faster than autoregressive decoding while maintaining exact greedy decoding results across multiple tasks.
By Jungseob Lee, Seongtae Hong, Dongyub Jude Lee, Chanjun Park, Jaehyung Seo, Sugyeong Eo, Heuiseok Lim
arXiv:2606. 17536v1 Announce Type: cross Abstract: Generative world models for autonomous driving face two unresolved tensions: heterogeneous control injection, where free-form language, HD-maps, trajectories, and camera poses reside in incompatible representational spaces, and post-hoc cross-view fusion, where per-camera latents fail to encode global 3-D geometry.
By Zijie Meng, Yufei Liu, Chengqian Ma, Zhiyu Li, Jiyuan Liu, Wenhua Nie, Bingcai Wei, Shuqin Chen, Weichen Xu, Jiquan Yuan, Miao Zhang
arXiv:2606. 13768v1 Announce Type: cross Abstract: Cinematic video depicts multiple subjects acting or interacting at specific moments, captured with deliberate camera movement, and stitched together by shot transitions.
By Sharath Girish, Tsai-Shien Chen, Zhikang Dong, Mukesh Singhal, Hao Chen, Sergey Tulyakov, Aliaksandr Siarohin
arXiv:2609.09528v1 Announce Type: new
Abstract: Video large language models (Video-LLMs) are increasingly used as the perceptual front end of world models, a role that assumes they can read motion: h...
By Dhairya Bhatia, Bishoy Galoaa, Oliver Fritsche, Shahid Kamal, Muhammad Obaidullah Abdul Salam, Umer Saleem, Om Rastogi, Frania Felix Chettiar, Nesli Erdogmus, Sarah Ostadabbas
Spatial instruction following has become a crucial requirement for text-to-image (T2I) generation. A common challenge arises when directional expressions are interpreted under different frames of reference.