arXiv:2606. 01686v1 Announce Type: cross Abstract: As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow.
By Seonghyeon Go, Yumin Kim
arXiv:2608. 07285v1 Announce Type: cross Abstract: AI-generated music is increasingly used at the stem level, with producers integrating synthetic drums, basslines, or vocals alongside human-performed instruments.
By Fernando Garcia de la Cruz, David L\'opez-Ayala, Pablo Zinemanas, Emilio Molina, Mart\'in Rocamora
arXiv:2606. 16612v1 Announce Type: cross Abstract: The rapid advancement of AI music generators highlights the urgent need for reliable Synthetic Song Detection (SSD).
By Yan Han, Zhibin Wen, Yuan Wang, Shuangrun Shao, Xiaobing Li, Yang Xu, Wei Li
arXiv:2608. 14916v1 Announce Type: cross Abstract: AI-generated music detectors are commonly evaluated against original songs, but real-world uploads are often remixed, re-encoded, pitch-shifted, or otherwise edited.
By Alexandru-Stefan Morosanu, Valerian Cecan, Stefan-Daniel Achirei, Laura Erhan
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
By Scott H. Hawley
arXiv:2607. 24873v1 Announce Type: new Abstract: Recent advances in AI music generation have enabled users to create complete musical pieces from natural-language prompts.
By Callie C. Liao, Duoduo Liao, Ellie L. Zhang
DuoTok is a source‑aware dual‑track music tokenizer designed for vocal‑accompaniment generation. It first learns a semantic audio representation via self‑supervised pretraining, then refines source‑aware structure with feature‑replacement noise and multi‑task supervision (spectral reconstruction, source separation regularization, and an ASR head for lyric alignment). The encoder is frozen and hard‑routed codebooks for vocals and accompaniment are learned, while a diffusion decoder restores fine acoustic detail from the discrete tokens, achieving a favorable predictability‑fidelity trade‑off at ultra‑low bitrate across public benchmarks.
By Rui Lin, Zhiyue Wu, Jiahe Lei, Kangdi Wang, Weixiong Chen, Junyu Dai, Tao Jiang
arXiv:2603. 23667v2 Announce Type: replace-cross Abstract: We introduce Echoes, a new dataset for music deepfake detection designed for training and benchmarking detectors under realistic and provider-diverse conditions.
By Octavian Pascu, Dan Oneata, Horia Cucu, Nicolas M. Muller
arXiv:2608.30940v1 Announce Type: cross
Abstract: Generative music systems are increasingly presented as tools that democratize music creation, yet their practical suitability for musicians remains u...
By Laura Ib\'a\~nez-Mart\'inez, Roser Batlle-Roca, Xavier Serra, Mart\'in Rocamora
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
arXiv:2502. 00023v2 Announce Type: replace-cross Abstract: Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces.
By Keon Ju M. Lee, Philippe Pasquier
Recent advances in AI music generation have enabled users to create complete musical pieces from natural-language prompts. However, most existing systems follow a prompt-and-regenerate paradigm, making iterative refinement difficult because users must repeatedly recreate compositions instead of directly evolving existing musical ideas.