arXiv:2607. 26698v1 Announce Type: cross Abstract: Cover song generation (CSG) should preserve the melodic and linguistic content of a reference song while recreating the remaining musical components.
By Wei-Jaw Lee, Hsuan-Yu Yeh, Ting-Yi Hu, Chih-Pin Tan, Fang-Duo Tsai, Yi-Hsuan Yang
arXiv:2505. 18614v5 Announce Type: replace-cross Abstract: Lyrics translation requires both accurate semantic transfer and preservation of musical rhythm, syllabic structure, and poetic style.
By Woohyun Cho, Youngmin Kim, Sunghyun Lee, Youngjae Yu
arXiv:2606. 02638v1 Announce Type: cross Abstract: Recent advances in neural song generation have enabled high-quality synthesis from lyrics and global textual prompts.
By Yuejiao Wang, Zihao Ji, Pengfei Cai, Xu Li, Haorui Zheng, Zewen Song, Zhongliang Liu, Chen Zhang, Pengfei Wan
arXiv:2607. 20253v1 Announce Type: cross Abstract: In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes.
By Junyu Dai, Xinyue Fan, Weiqin Li, Xiangang Li, Yunjia Li, Bin Ma, Yukun Ma, Chongjia Ni, Yufei Shi, Haoxu Wang, Menglin Wu, Jianwei Yu, Huaicheng Zhang, Han Zhao, Shengkui Zhao, Haina Zhu
In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes. The proposed framework supports three tasks: Lyrics-to-Song Generation, which generates complete songs from text descriptions, lyrics, and musical attributes; Instrumental Music Generation, which creates music without vocals; and Cover Song Generation, which reinterprets existing songs with different styles while preserving their melodic content.
arXiv:2606. 26451v1 Announce Type: cross Abstract: Automatic singing quality assessment (SQA) requires evaluating lyrical correctness and musical fidelity while handling expressive variations.
By Neelam Saini, Sourav Ghosh
DuoTok is a source‑aware dual‑track music tokenizer designed for vocal‑accompaniment generation. It first learns a semantic audio representation via self‑supervised pretraining, then refines source‑aware structure with feature‑replacement noise and multi‑task supervision (spectral reconstruction, source separation regularization, and an ASR head for lyric alignment). The encoder is frozen and hard‑routed codebooks for vocals and accompaniment are learned, while a diffusion decoder restores fine acoustic detail from the discrete tokens, achieving a favorable predictability‑fidelity trade‑off at ultra‑low bitrate across public benchmarks.
By Rui Lin, Zhiyue Wu, Jiahe Lei, Kangdi Wang, Weixiong Chen, Junyu Dai, Tao Jiang
arXiv:2506. 14293v4 Announce Type: replace-cross Abstract: We present Sleeping-DISCO 9M, a large-scale pre-training dataset for music and song.
By Tawsif Ahmed, Andrej Radonjic, Gollam Rabby
arXiv:2606. 03169v1 Announce Type: cross Abstract: Recent song generation systems can synthesize realistic audio, yet generating complete songs remains challenging for two reasons.
By Xiaoyue Duan, Nanxing Hu, Yutang Feng, Xudong Yan, Jiatao Chen, Jinchao Zhang, Jie Zhou
Chordonomicon is a new dataset of over 666,000 song-level symbolic chord progressions, each annotated with structural parts such as verse, chorus, and bridge, as well as genre and release date. The dataset was compiled by scraping user-generated progressions from multiple sources and shows strong similarity to established prior datasets. The authors also provide a reproducible benchmark suite for next chord prediction, evaluating RNN, GRU, and LSTM models across various context windows and data scales, and find that structural part annotations consistently improve prediction performance.
By Spyridon Kantarelis, Ioannis Liolitsas, Konstantinos Thomas, Vassilis Lyberatos, Edmund Dervakos, Giorgos Stamou
Recently, large language models (LLMs) have achieved promising progress in the fields of classical Chinese translation and the generation of classical poetry. However, domain-specific research on precise translation and affective-semantic understanding of classical poetry remains limited.
arXiv:2606. 06615v1 Announce Type: cross Abstract: Retrieving music using natural language descriptions has improved with contrastive audio-text models such as CLAP, but current systems remain limited to coarse semantic queries.
By Nishit Anand, Ashish Seth, Sreyan Ghosh, Dinesh Manocha, Ramani Duraiswami