arXiv:2606. 26451v1 Announce Type: cross Abstract: Automatic singing quality assessment (SQA) requires evaluating lyrical correctness and musical fidelity while handling expressive variations.
By Neelam Saini, Sourav Ghosh
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes. The proposed framework supports three tasks: Lyrics-to-Song Generation, which generates complete songs from text descriptions, lyrics, and musical attributes; Instrumental Music Generation, which creates music without vocals; and Cover Song Generation, which reinterprets existing songs with different styles while preserving their melodic content.
arXiv:2607. 20253v1 Announce Type: cross Abstract: In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes.
By Junyu Dai, Xinyue Fan, Weiqin Li, Xiangang Li, Yunjia Li, Bin Ma, Yukun Ma, Chongjia Ni, Yufei Shi, Haoxu Wang, Menglin Wu, Jianwei Yu, Huaicheng Zhang, Han Zhao, Shengkui Zhao, Haina Zhu
arXiv:2606. 06615v1 Announce Type: cross Abstract: Retrieving music using natural language descriptions has improved with contrastive audio-text models such as CLAP, but current systems remain limited to coarse semantic queries.
By Nishit Anand, Ashish Seth, Sreyan Ghosh, Dinesh Manocha, Ramani Duraiswami
The paper investigates whether joint language‑audio embedding models encode human perceptual timbre semantics. It evaluates several state‑of‑the‑art models, finding that LAION‑CLAP aligns best with human‑perceived timbre across instrumental sounds and descriptor‑conditioned audio effects, yet the overall alignment remains limited. The study also notes that reverb‑induced timbre semantics are more consistently captured than equalization‑induced ones.
By Qixin Deng, Bryan Pardo, Thrasyvoulos N Pappas