The paper presents a local traditional OCR pipeline that can be iteratively fine‑tuned on both layout and appearance levels of complex historical Sanskrit manuscripts. By adapting to the specific manuscript distribution, the pipeline improves transcription accuracy across subsequent pages, reducing the need for costly human annotation. The authors apply the method to three manuscripts, release a dataset with detailed layout and Unicode annotations in PAGE‑XML format, and benchmark the results against leading multimodal large language models.
The paper presents a local traditional OCR pipeline that can be iteratively fine‑tuned on both layout and appearance levels of complex historical Sanskrit manuscripts. By adapting to the specific manuscript distribution, the pipeline reduces human annotation effort and improves transcription accuracy across subsequent pages. The authors apply this method to three manuscripts, release a dataset with detailed layout and Unicode annotations in PAGE‑XML format, and benchmark the pipeline against leading multimodal large language models.
By Kartik Chincholikar, Kaushik Gopalan, Mihir Hasabnis
arXiv:2605. 16409v3 Announce Type: replace-cross Abstract: Optical character recognition (OCR) and multilingual scene-text understanding remain challenging for multimodal large language models (MLLMs), particularly in real-world images containing small or degraded text, cluttered layouts, occlusion, handwriting, and complex typography.
By Qinwu Xu, Yifan Jiang, Haoyu Ren
We present HunyuanOCR-1. 5, a lightweight end-to-end OCR-specialized vision-language model.
arXiv:2602. 00122v3 Announce Type: replace-cross Abstract: In recent years, image editing models have made significant progress, enabling users to manipulate visual content in a flexible and interactive manner through natural language instructions.
By Hongzhu Yi, Yujia Yang, Yuanxiang Wang, Tong Li, Zhenyu Guan, Tianyu Zong, Jiahuan Chen, Chenxi Bao, Tiankun Yang, Haopeng Jin, Yixuan Yuan, Xinming Wang, Tao Yu, Ruilin Gao, Ruiwen Tao, Haijin Liang, Jin Ma, Jinwen Luo, Yeshani, Xinyu Zuo, Jungang Xu
WordArt (artistic text) features highly customized fonts, textures, and layouts, making WordArt-oriented scene TExt Recognition (WATER) substantially more challenging than general Scene Text Recognition (STR). Existing STR datasets and methods, typically built around regular scene text and fixed-template inputs, struggle to scale to WATER.