arXiv:2511. 05350v3 Announce Type: replace-cross Abstract: We argue that training autoencoders to reconstruct inputs from noised versions of their encodings, when combined with perceptually motivated losses, yields encodings that are structured according to a perceptual hierarchy.
By Mathias Rose Bjare, Giorgia Cantisani, Marco Pasini, Stefan Lattner, Gerhard Widmer
arXiv:2606. 07015v1 Announce Type: cross Abstract: While song generation and singing voice conversion (SVC) have evolved significantly, they have long been developed isolated: the former lacks zero-shot speaker cloning, while the latter overlooks vocal-accompaniment synergy.
By Ziyu Zhang, Chunyu Qiang, Xiaopeng Wang, Yuxin Guo, Kang Yin, Wenjie Tian, Jingbin Hu, Tianlun Zuo, Zhao Guo, Teng Ma, Yuzhe Liang, Chen Zhang, Lei Xie
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
By Scott H. Hawley
arXiv:2606. 02638v1 Announce Type: cross Abstract: Recent advances in neural song generation have enabled high-quality synthesis from lyrics and global textual prompts.
By Yuejiao Wang, Zihao Ji, Pengfei Cai, Xu Li, Haorui Zheng, Zewen Song, Zhongliang Liu, Chen Zhang, Pengfei Wan
PhysWave is a physics-guided latent diffusion model designed for controllable text-to-First-Order Ambisonics (FOA) audio generation. It integrates natural-language and trajectory control via a shared waypoint-caption representation and incorporates two differentiable acoustic priors—spherical-harmonic direction consistency and inverse-square distance consistency—into diffusion training. The authors also introduce a 300K-clip FOA dataset and demonstrate that these priors improve spatial consistency while preserving audio quality, with potential use as inference-time guidance for training-free refinement.
By Lingfeng Yao, Chenpei Huang, Xingke Yang, Ziye Geng, Changqing Luo, Hao Wang, Jiang Liu, Miao Pan
arXiv:2606. 24307v1 Announce Type: cross Abstract: Interactive music and live performance relies on real-time human expression, but modern generative music AI remains largely absent from this domain due to its prohibitive inference latency and offline rendering paradigm.
By Baisen Wang, Chenxi Bao, Qisong Han