arXiv:2608. 06638v1 Announce Type: cross Abstract: Mechanistic interpretability of music generation has concentrated on audio models, leaving symbolic models largely unexplored.
By Jakub Po\'cwiardowski, Mateusz Modrzejewski
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
By Scott H. Hawley
SpanSynth-Edit is a flow‑matching model that enables MIDI‑guided synthesis and editing of multi‑instrument audio mixtures using low‑frame‑rate scalar‑quantised latents. It encodes instrument‑labelled note lifecycles as unordered event sets, pools them into a conditioning vector per audio‑latent frame, and uses contextual audio for instrument‑specific timbre guidance. The model supports editing by resynthesising target regions from revised MIDI and demonstrates competitive performance on single‑ and multi‑instrument benchmarks, including within‑frame onset control.
By Sungkyun Chang, Keshav Bhandari, Simon Dixon, Emmanouil Benetos
MIDI-REPA is a framework that aligns symbolic music representations with intermediate layers of a flow-matching DiT model to improve text-to-music generation. By deriving MIDI supervision from automatic music transcription and aligning a MuScriptor-derived piano roll with an early DiT layer throughout the flow trajectory, the method achieves competitive performance on the ATTM objective metrics without extra training data or techniques. The approach is trainable on a single RTX 3090 in about 31 hours and is supported by released transcription pipeline, training code, and audio samples.
By Song-Ze Yu, Fang-Duo Tsai, Yi-Hsuan Yang
arXiv:2606. 03169v1 Announce Type: cross Abstract: Recent song generation systems can synthesize realistic audio, yet generating complete songs remains challenging for two reasons.
By Xiaoyue Duan, Nanxing Hu, Yutang Feng, Xudong Yan, Jiatao Chen, Jinchao Zhang, Jie Zhou
The paper introduces CPR, a piano rendering framework that combines continuous autoregressive modeling with local flow matching and full‑sequence refinement. It predicts continuous hidden states, generates 24 kHz acoustic latents, and upsamples to 48 kHz, while new techniques BREPA and MT‑RoPE enhance musical semantics and cross‑modal alignment.
By Chong Jing, Junan Zhang, Zhizheng Wu