arXiv:2607. 22643v1 Announce Type: new Abstract: Multimodal retrieval-augmented generation (mRAG) aims to answer image-text queries with external knowledge, but most existing systems still retrieve directly from raw multimodal input over a flat evidence space.
By Tianyu Yang, Shir Simon, Zhenzhen Li, Minhao Cheng, Xiangliang Zhang
arXiv:2411. 15041v2 Announce Type: replace Abstract: Advanced Multimodal Large Language Models (MLLMs) struggle with recent Knowledge-based Visual Question Answering (VQA) tasks, such as INFOSEEK and Encyclopedic-VQA, due to their limited and frozen knowledge scope, often leading to ambiguous and inaccurate responses.
By Tao Zhang, Ziqi Zhang, Zongyang Ma, Yuxin Chen, Zhongang Qi, Chunfeng Yuan, Bing Li, Junfu Pu, Yuxuan Zhao, Zehua Xie, Jin Ma, Ying Shan, Weiming Hu
arXiv:2607. 05438v1 Announce Type: cross Abstract: Multimodal retrieval-augmented generation (RAG) grounds a generator in evidence drawn from heterogeneous modalities -- text, tables, and images.
By Xue Li, Yiming Gai
arXiv:2607. 24799v1 Announce Type: cross Abstract: Large Language Models tend to hallucinate when answering domain-specific ques tions from scientific documents without prior fine-tuning.
By Alexandru-Andrei Sauc\u{a}, Ana-Luiza Rusnac
Retrieval-Augmented Generation (RAG) streamlines long-document understanding by leveraging retrieval mechanisms to restrict input images to a highly curated subset. However, existing multimodal RAG pipelines primarily face two critical challenges: first, standard semantic similarity retrievers frequently fetch topically overlapping yet answer-void distractor pages that mislead downstream generation; second, rigid single-pass pipelines heavily depend on initial retrieval success, where any omission of core evidence inevitably causes cascading errors.
arXiv:2607. 24748v1 Announce Type: cross Abstract: Visually-rich documents such as reports, slides, and manuals often distribute the evidence needed to answer a question across multiple pages, mixing text with layout cues, tables, charts, and figures.
By Seonok Kim