The paper examines how four leading vision‑language models—LLaVA‑7B, Qwen‑VL, GPT‑4o mini, and Claude 3 Haiku—perform in detecting hateful content within memes. It evaluates the models under zero‑shot and few‑shot prompting, focusing not only on classification accuracy but also on the qualitative justifications they generate. The study highlights that these models often overlook contextual nuances, irony, and subtle cues essential for accurately identifying hate speech in memes.
By Muhammad Jawad Chowdhury, Adiba Hasan, Ishrak Hossain, Shahriar Ivan, Sabbir Ahmed
Hateful memes are a growing form of multimodal online harm, where hostile intent is often conveyed through the joint interpretation of images, text, cultural references, and implicit targets. While hateful meme detection has advanced in high-resource languages, Arabic remains underexplored, with existing meme resources focusing mainly on propaganda or coarse harmful-content labels.
MexHat is a newly released video dataset aimed at improving hate‑speech detection in Mexican Spanish. It contains roughly 1,000 clips annotated for three broad categories—no negative content, offensive content, and hate‑speech—as well as a finer classification into three hate‑speech sub‑categories. The paper presents dataset statistics and baseline results, underscoring the challenges of detecting culturally and contextually nuanced hate speech in multimodal content.
By Itzel Tlelo-Coyotecatl, Hugo Jair Escalante
arXiv:2609.16393v1 Announce Type: new
Abstract: We introduce ParsHate, a manually annotated dataset of 10,000 Persian tweets spanning 2013-2022, representing the first decade-long benchmark for hate...
By Zahra Bokaei, Walid Magdy, Bonnie Webber
We introduce ParsHate, a manually annotated dataset of 10,000 Persian tweets spanning 2013-2022, representing the first decade-long benchmark for hate speech detection in Persian. The dataset contains...
arXiv:2601. 11178v3 Announce Type: replace Abstract: Social media platforms are increasingly dominated by long-form multimodal content, where harmful narratives are constructed through a complex interplay of audio, visual, and textual cues.
By Girish A. Koushik, Helen Treharne, Diptesh Kanojia