arXiv:2607.26694v3 Announce Type: replace
Abstract: We present Visko Orbis 1.0, a Live Model for real-time, interactive long video generation. Users can change the prompt at any moment during generat...
By Xiangbo Gao, Siyuan Yang, Ping He, Mingyang Wu, Yuheng Wu, Yushen Zuo, Jiongze Yu, Ryan Cui, Hongyuan Hua, Devin Ma, Xiao Jin, Yubo Ruan, Qing Yin, Jie Yang, Zhengzhong Tu
Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models. More fundamentally, their evaluation taxonomies remain rudimentary (overall visual quality, coarse text alignment and temporal smoothness) rather than the professional Cinematic Language criteria by which films are actually made and judged, so they assess basic video plausibility rather than film-grade craft.
arXiv:2605. 19398v3 Announce Type: replace-cross Abstract: Image-to-video models often generate videos that remain overly static, compared to text-to-video models.
By Wooseok Jeon, Seungho Park, Seunghyun Shin, Sangeyl Lee, Hyeonho Jeong, Hae-Gon Jeon
VGA‑BenchV2 is an expanded, human‑aligned benchmark and optimization framework that jointly evaluates video generation quality and aesthetic value. It builds on the original VGA‑Bench taxonomy, adding 52 sub‑dimensions and 1,016 curated prompts to generate over 60,000 videos from 12 mainstream models. The benchmark significantly enlarges human supervision with 36,000 task‑level annotations and introduces a hybrid evaluator (VAQA‑Net, VTag‑Net, VGQA‑Net) that aligns well with human judgments and can be used as a reward model for reinforcement‑learning fine‑tuning.
By Longteng Jiang, DanDan Zheng, Qianqian Qiao, Heng Huang, Huaye Wang, Yihang Bo, Bao Peng, Jingdong Chen, Jun Zhou, Xin Jin
arXiv:2607. 24241v1 Announce Type: cross Abstract: Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models.
By Shengyi Wang, Niantong Li, Guangzheng Hu, Hong Qi, Fei Ding, Weixu Qiao, Jinlin Wang, Xiaotong Lv, Peng Han, Zimeng Li, Fanshu Ding, Yushu Wang, Han Wu, Jingjing Chen, Chongxiao Wang, Yanhao Wu, Chenglong Huang, Xiaoqian Zhu, Jie Tian, Hua Li, Jingjing Fan, Mingshuang Tang, Zhong Li, Hengxia Qiang, Weibin Chen, Jinyang Zhen, Bing Zhao, Lin Qu, Jing Li, Hu Wei
The paper introduces Anchor-based Video Editing (AVE), a two-stage framework that converts a powerful image editor into a video editor by first editing keyframes and then propagating those edits across time using a motion-guided image-to-video diffusion model. AVE treats edited keyframes as fixed anchors, leveraging the strengths of modern image editors while avoiding costly end-to-end video training. Experiments on IVEBench and VIE-Bench demonstrate strong performance in instruction following, temporal consistency, and content fidelity, and ablations show that video quality correlates with the underlying image editor’s performance.
By Feng Wang, Zijie Li, Ceyuan Yang, Alan Yuille, Peng Wang