arXiv:2607. 03806v1 Announce Type: cross Abstract: Audio foundation models are widely adopted as general-purpose feature extractors, yet the internal structure of their learned representations remains insufficiently understood.
By H\'ector Martel, Joe Hennessy-Priest, Taemin Cho
arXiv:2606. 06615v1 Announce Type: cross Abstract: Retrieving music using natural language descriptions has improved with contrastive audio-text models such as CLAP, but current systems remain limited to coarse semantic queries.
By Nishit Anand, Ashish Seth, Sreyan Ghosh, Dinesh Manocha, Ramani Duraiswami
SonicCaps is a large-scale audio captioning dataset featuring approximately 15 million captions paired with 700,000 audio clips, created using the Qwen3-Omni multimodal language model. The dataset emphasizes diversity by generating around 24 captions per clip through structured prompt engineering and few-shot generation, covering main descriptions, rephrased variants, and semantic tags. Human evaluations rate SonicCaps higher than existing datasets, and training CLAP models on it improves audio retrieval and zero-shot classification across public and commercial benchmarks.
By Zineb Lahrichi, Marc Ferras, Ga\"el Richard, Geoffroy Peeters
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
By Dmitrii Gavrilev, Ilya Borovik, Vladimir Viro
arXiv:2607. 12290v1 Announce Type: cross Abstract: Audio-language embedding models such as CLAP are widely evaluated on matching present sound events, but rarely on negation.
By Chun-Yi Kuan, Hung-yi Lee
arXiv:2606. 30682v1 Announce Type: cross Abstract: Recent advances in language--audio retrieval have been largely driven by contrastive dual-encoder architectures that align audio and text in a shared embedding space.
By Fengjie Lu, Chenang Jiang, Jiarui Hai, Helin Wang, Aaron Yee