Most existing extreme compression methods fail to achieve an optimal rate-distortion-perception trade-off, as they typically prioritize perceptual fidelity and visual realism over pixel-level accuracy. Consequently, the resulting reconstructions often deviate noticeably from the originals.
The paper introduces RAE-CoD, a diffusion-based compression method that operates in a representation autoencoder space to preserve recognizable content even at extremely low bitrates. It addresses the problem of semantic collapse observed in existing codecs when the bitrate approaches zero, showing that reconstruction losses conflict with semantic objectives and that VAE diffusion models lose efficiency in preserving semantics. Experiments on MSCOCO-30K demonstrate that RAE-CoD outperforms competitors, reducing VFM feature MSE and Fréchet Distance ratios by at least 25.7% and 69.1% at 0.001–0.008 bpp while maintaining stable recognizability and quality.
By Tianyu Zhang, Zhaoyang Jia, Houqiang Li, Dong Liu
arXiv:2608.20515v1 Announce Type: new
Abstract: Generative video compression can recover rich visual details at low bitrates, but simultaneously achieving high temporal consistency and low inference...
By Wenzhuo Ma, Zhenzhong Chen
arXiv:2609.39451v1 Announce Type: new
Abstract: Progressive autoregressive image codecs provide an appealing paradigm for generative compression by quantizing continuous latents into discrete tokens,...
By Qin Yan, Ruixiao Dong, Yutao Xie, Li Li, Ying Chen, Kai Li, Daowen Li, Houqiang Li
arXiv:2606. 30934v1 Announce Type: new Abstract: Modern text-to-image diffusion models, such as diffusion transformers (DiT), rely on timestep or prompt embeddings to modulate the strength of the denoising process in each timestep.
By Luke Budny, Yuhong Guo, Kevin Cheung
Perceptual quality enhancement of severely compressed videos remains challenging due to complex artifact patterns and substantial information loss. Recent diffusion models have demonstrated strong generative capability for visual restoration, but directly applying them to compressed video often ignores compression degradation characteristics and may introduce structure-inconsistent hallucinations.