arXiv:2607. 08863v1 Announce Type: cross Abstract: We present Clean2FX, a study and demo of label-conditioned clean-to-effect transformation for electric guitar audio.
By Oliverio Bombicci Pontelli, Iran R. Roman
arXiv:2608. 06165v1 Announce Type: cross Abstract: Existing audio-to-score (A2S) systems primarily focus on classical music, and the application to popular music remains underexplored.
By Eoin Cummins, Zhongyi Huang, Alexandre D'Hooge, Zhuoro Mo, Yaolong Ju
arXiv:2607. 01974v1 Announce Type: cross Abstract: This technical report describes our system for Task 1 of the DCASE 2026 Challenge, which aims to classify heterogeneous audio recordings according to the Broad Sound Taxonomy (BST).
By Beile Ning, Jiayi Yu, Zitong Wang, Yufei Hu, Wenjun Xu, Yuanhang Qian, Zhongxin Bai, Gongping Huang
arXiv:2606. 31338v1 Announce Type: cross Abstract: Recent music audio-language models achieve high accuracy on instrument question-answering benchmarks, but it remains unclear whether this reflects robust audio grounding or benchmark-specific shortcuts.
By Yujun Lee, Joonhyeok Shin, Hyoeun Kim, Kyuhong Shim
arXiv:2607. 03806v1 Announce Type: cross Abstract: Audio foundation models are widely adopted as general-purpose feature extractors, yet the internal structure of their learned representations remains insufficiently understood.
By H\'ector Martel, Joe Hennessy-Priest, Taemin Cho
arXiv:2512. 13998v3 Announce Type: replace-cross Abstract: Music Emotion Recognition (MER) is constrained by limited expert annotations and the need to establish robustness across heterogeneous corpora.
By Qilin Li, C. L. Philip Chen, Tong Zhang
arXiv:2607. 00777v1 Announce Type: cross Abstract: Recognizing jazz standards from audio is a challenging form of tune-level music retrieval: different performances of the same standard may vary in tempo, key, arrangement, instrumentation, improvisational content, and even whether the head melody is present.
By \c{C}a\u{g}r{\i} Eser
arXiv:2602. 19778v4 Announce Type: replace-cross Abstract: Automatic Chord Recognition (ACR) is constrained by the scarcity of aligned chord labels, as well-aligned annotations are costly to acquire.
By Nghia Phan, Rong Jin, Gang Liu, Xiao Dong
arXiv:2512. 10120v2 Announce Type: replace-cross Abstract: General-purpose audio representations aim to map acoustically variable instances of the same event to nearby points, resolving content identity in a zero-shot setting.
By Maris Basha, Anja Zai, Sabine Stoll, Richard Hahnloser
arXiv:2608. 14916v1 Announce Type: cross Abstract: AI-generated music detectors are commonly evaluated against original songs, but real-world uploads are often remixed, re-encoded, pitch-shifted, or otherwise edited.
By Alexandru-Stefan Morosanu, Valerian Cecan, Stefan-Daniel Achirei, Laura Erhan
arXiv:2606. 14120v1 Announce Type: cross Abstract: Auditory attention decoding (AAD) aims to infer the attended speaker from neural responses in multi-speaker acoustic environments and is a key problem for neuro-steered hearing systems.
By Ziwei Wang, Xingyi He, Tianwang Jia, Hongbin Wang, Dongrui Wu
arXiv:2606. 19747v1 Announce Type: new Abstract: Quran Automatic Speech Recognition (ASR) aims to convert Quranic recitation into text, enabling applications such as aided memorisation tools and Quranic search engines.
By Nabil Mosharraf Hossain (Greentech Apps Foundation, United Kingdom), Riasat Islam (Greentech Apps Foundation, United Kingdom, Queen Mary University of London, United Kingdom), Unaizah Obaidellah (University of Malaya, Malaysia)