arXiv:2608.29621v1 Announce Type: cross
Abstract: Long-horizon story-driven video generation requires a production agent to coordinate narrative decomposition, state tracking, shot design, prompt con...
By Junxiang Liu, Lin Wang, Haiyu Shi, Hongxu Ma, Xiaoyu Yang, Chunjie Chen, Xiaoxiao Xu, Kaiqiao Zhan, Boao Wang, Shuizhou Shi, Tianyun Zhu, Jie Li, Jiangtong Li
arXiv:2603.11421v2 Announce Type: replace
Abstract: Text-driven video generation has democratized film creation, but camera control in cinematic multi-shot scenarios remains a significant block. Impl...
By Songlin Yang, Zhe Wang, Xuyi Yang, Songchun Zhang, Xianghao Kong, Taiyi Wu, Xiaotong Zhao, Ran Zhang, Alan Zhao, Anyi Rao
MVAgent is a multi‑agent pipeline for multi‑shot video generation that ensures consistent character appearance, stable spatial layout, and continuous character state across shots. The system uses typed conditioning inputs: a Spatial Grounding agent samples camera views, an Observer records shot endings into a continuity memory, a Transition agent builds action and spatial references for subsequent shots, and an Orchestrator composes these inputs into generator requests. Trained with agentic reinforcement learning (Trunk‑GDPO) while keeping the generator and judges frozen, MVAgent achieves the highest cross‑shot consistency and narrative‑planning quality on ViMax‑Bench and is preferred over the strongest agentic baseline in human evaluation.
By Xiangyu Kong, Wenjie Zhou, Fengping Tian, Lihua Fang, Haoqin Sun, Chenyang Lyu, Longyue Wang, Weihua Luo
CamPilot is a multi‑agent cinematic assistant that combines cinematographic planning with camera‑work control to generate more coherent and aesthetically pleasing movies from text prompts. It learns camera‑work planning from 14,000 professional films using a GRPO‑based learning paradigm, capturing motion patterns, composition principles, and cross‑shot relationships. The system is evaluated with a new benchmark, CamEval, and outperforms existing text‑to‑movie methods in cinematographic control and quality.
By Yang Wu, Stefano Petrangeli, Ishita Dasgupta, Yu Shen
arXiv:2609.38683v1 Announce Type: cross
Abstract: Cinematic camera motion is a fundamental storytelling tool, defined not only by where the camera is positioned in the scene, but also by how it moves...
By Ziqi Zhou, Yujian Yuan, Laura Sevilla-Lara
arXiv:2606. 07649v1 Announce Type: cross Abstract: Long-form video generation requires systematic narrative planning and visual consistency that current short-clip methods cannot provide.
By Lingxuan Huang, Sizhe He, Hengji Zhou, Liqiang Nie, Lianghao Xia, Chao Huang
arXiv:2608.12313v3 Announce Type: replace-cross
Abstract: Agentic video creation systems remain far from cinematic-grade quality: their underlying models struggle to plan how story, characters, visua...
By Chuyue Li, Jinpeng Yu, Haozhe Wang, Tian Xueyun, Zhijing Zhang, Bingnan Li, Shuqi Gu, Kan Ren, Jiaming Liu, Ruihua Huang
WanPE is a 397‑B parameter prompt‑enhancement model that learns director‑level cinematic planning from 1.05 M real‑world videos. It generates shot‑level cinematic plans through video‑grounded reverse construction and uses Semantic‑Consistency GRPO (SC‑GRPO) to maintain user intent across shots and time. In evaluations, WanPE improves human preference over raw prompts by up to 50.86 points for 30‑second videos and outperforms commercial offerings for shorter durations.
By Yubo Zhu, Yawen Shao, Ziyun Dai, Zixun Fang, Kai Zhu, Siyang Sun, Haolan Xue, Chuxin Wang, Tingyu Weng, Jingming Luo, Chen Shi, Lianghua Huang, Yufeng Ai, Yuzheng Wang, Wenyuan Zhang, Yu Shang, Yuxiang Bao, Zoubin Bi, Jie Xiao, Jinbo Xing, Jiaxing Zhao, Chongyang Zhong, Hengjian Chen, Chenwei Xie, Akide Liu, Zhehan Kan, Yu Liu, Wei Zhai, Sheng Zhong, Wei Tong
arXiv:2607. 19038v1 Announce Type: cross Abstract: Translating novels into films poses a grand challenge for generative artificial intelligence, requiring conversion of abstract literary prose into long-form, multi-scene visual narratives.
By Jialong Zuo, Haotong Zuo, Shiwei Zhang, Xiang Wang, Chen Li, Nong Sang, Changxin Gao, Xiang Bai
Short dramas, with their rapid shot rhythms, dialogue-driven focus shifts, and demanding cinematographic grounding, pose challenges that prompt-level or text-only video generation pipelines struggle to meet. We study plot-to-short-drama generation, where a global plot and local context are transformed into visually grounded multi-shot videos.
arXiv:2606. 24107v1 Announce Type: cross Abstract: Short dramas, with their rapid shot rhythms, dialogue-driven focus shifts, and demanding cinematographic grounding, pose challenges that prompt-level or text-only video generation pipelines struggle to meet.
By Hengji Zhou, Sijie Liu, Jianrun Chen, Xingchen Zou, Lianghao Xia, Liqiang Nie
arXiv:2606. 24636v1 Announce Type: new Abstract: Cinematographic captioning aims to describe how a video is filmed using professional film-language concepts such as camera movement, shot size, depth of field, composition, and shooting angle.
By Xinyu Mao, Yuhui Zeng, Xiaokun Liu, Wenyu Qin, Meng Wang, Xin Tao, Pengfei Wan, Xiaohan Xing, Max Meng