Simon Willison introduces GPT‑6 Astra, a new model that offers improved attention to detail, better prompt comprehension, and the ability to generate more sophisticated outputs. The model excels at creating 3D renderings, producing detailed scenes such as gardens, shipyards, animals, cityscapes, and even Dyson spheres. Willison highlights its whimsical creativity, noting examples like a pelican wearing a red neckerchief riding a bicycle.
Simon Willison created a .blend URL Viewer tool that lets users view a Blender model of a Fabergé egg themed after the TV show Pluribus directly in their browser. He generated the egg image using ChatGPT Images 2.5, then fed it to GPT‑6 Astra with a custom Blender skill to produce several .blend files. The viewer, built with JavaScript, is now part of his tools collection for easy access to the resulting 3D model.
The article reflects on the shift in perspective after the release of Fable, a new model that promised to solve many coding challenges at a comparable or lower cost. Prior to Fable, developers felt it was pointless to invest heavily in coding tools or context strategies, as newer models would likely render them obsolete. However, Fable’s performance was so impressive that, despite its high cost, it prompted a reevaluation of how work was distributed across different models such as Opus, 5.6, K3, and GLM.
Simon Willison is live‑blogging the OpenAI DevDay event in Fort Mason, San Francisco, covering the keynote and other highlights. He received a free ticket and a seat in the "creator" area for the keynote. The blog will include notes from the day’s sessions.
I started building my markdown-svg-renderer tool in May , but I've since added enough features to it that it's worth talking about here again. It's evolved into my ideal tool for sharing Markdown transcripts that include SVG documents.
The article announces that Claude Code will now support AGENTS.md files starting with version 2.1.277. If a CLAUDE.md file is absent in a folder, Claude will automatically look for and use AGENTS.md, leveraging Claude Code mods to customize the harness. The built‑in mod is available for use, and users can also create their own custom project instructions.
Simon Willison comments on GPT 6.1‑Sol, describing it as "Near‑Astra intelligence for a fifth of the price." He notes that the model’s pelican illustrations are similar to those of the GPT‑6 family and provides links to the live‑blog of the keynote and to the pelican images. The post is tagged with AI, OpenAI, generative‑AI, LLMs, and playful references to pelican‑riding‑a‑bicycle.
SF October 14th: A Birds of a Feather Session on Agentic Engineering
I'm hosting an evening event with Jesse Vincent in San Francisco on Wednesday 14th October for people who are building weird and in...
Simon Willison delivered a closing keynote at the WeAreDevelopers World Congress North America, outlining the key developments in large language models for 2026. He highlighted the release of Claude Opus 4.5 and GPT‑5.1 in November 2025, noting that their coding agents became reliable enough for daily use. Willison also discussed early benchmarks, such as generating an SVG of a pelican riding a bicycle, and mentioned a new GitHub repository called "Warelay" that emerged during the year.
Qwen 3. 8 27B scores 52 on the Artificial Analysis Intelligence Index That's the same score as GPT-5.
The article discusses how production code generated by Claude, Anthropic’s AI, should meet higher standards than human-written code. Anthropic enforces this through numerous guardrails such as lint rules, extensive testing, Claude-driven end‑to‑end tests, daily fuzzers, automated code and security reviews, and automated refactoring. These measures aim to prevent the code from becoming difficult to maintain.
The post critiques the use of AI-generated scripts for TikTok and YouTube, arguing that such content lacks a distinct voice and genuine opinions. It highlights common AI patterns—such as generic statements, the rule of three, and staccato punctuation—that make the writing feel shallow and unoriginal. The author emphasizes that these traits reveal the absence of authentic personal perspective in the content.