arXiv:2608. 18025v1 Announce Type: cross Abstract: GPT-style models achieve strong performance by representing language with finite vocabularies of reusable discrete tokens.
By Yi Wang
arXiv:2607. 01849v1 Announce Type: cross Abstract: Musical performance involves executing a set of high-level musical instructions, yet recovering those instructions from the performance is a challenging inverse problem.
By Yewon Kim, Apurva Gandhi, David Chung, Graham Neubig, Chris Donahue
arXiv:2606. 30642v1 Announce Type: cross Abstract: Full-length song generation must preserve coherence and musicality, render detailed vocal and accompaniment acoustics, and follow lyrics and prompts.
By Shun Lei, Huaicheng Zhang, Dapeng Wu, Yaoxun Xu, Lishi Zuo, Wei Tan, Hangting Chen, Guangzheng Li, Jianwei Yu, Zhiyong Wu, Dong Yu
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
By Scott H. Hawley
In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes. The proposed framework supports three tasks: Lyrics-to-Song Generation, which generates complete songs from text descriptions, lyrics, and musical attributes; Instrumental Music Generation, which creates music without vocals; and Cover Song Generation, which reinterprets existing songs with different styles while preserving their melodic content.
arXiv:2607. 20253v1 Announce Type: cross Abstract: In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes.
By Junyu Dai, Xinyue Fan, Weiqin Li, Xiangang Li, Yunjia Li, Bin Ma, Yukun Ma, Chongjia Ni, Yufei Shi, Haoxu Wang, Menglin Wu, Jianwei Yu, Huaicheng Zhang, Han Zhao, Shengkui Zhao, Haina Zhu
arXiv:2607. 13587v1 Announce Type: cross Abstract: Automatic symbolic music analysis has made substantial progress, yet existing systems are typically designed for a single mode of use, such as full-score prediction, and therefore do not match the broader range of operations that arise in analysis workflows, including partial completion, local correction, and iterative refinement.
By Emmanouil Karystinaios, Johannes Hentschel, Markus Neuwirth, Gerhard Widmer
arXiv:2606. 03169v1 Announce Type: cross Abstract: Recent song generation systems can synthesize realistic audio, yet generating complete songs remains challenging for two reasons.
By Xiaoyue Duan, Nanxing Hu, Yutang Feng, Xudong Yan, Jiatao Chen, Jinchao Zhang, Jie Zhou
arXiv:2607. 22413v1 Announce Type: cross Abstract: Sample retrieval tools can help composers find harmonically compatible material, but querying from a fixed reference sample becomes less informative as arrangements evolve and the harmonic context shifts with each musical decision.
By Austin Rockman
arXiv:2607. 11124v1 Announce Type: cross Abstract: Music creation is fundamentally a process of revision.
By Haoyu Gu, Lekai Qian, Haowu Zhou, Qi Liu, Shuai Wang
arXiv:2606. 24307v1 Announce Type: cross Abstract: Interactive music and live performance relies on real-time human expression, but modern generative music AI remains largely absent from this domain due to its prohibitive inference latency and offline rendering paradigm.
By Baisen Wang, Chenxi Bao, Qisong Han
arXiv:2604. 19532v3 Announce Type: replace-cross Abstract: Tokenizing music to fit the general framework of language models is a compelling challenge, especially considering the diverse symbolic structures in which music can be represented (e.
By Lekai Qian, Haoyu Gu, Jingwei Zhao, Ziyu Wang