The paper introduces CRAW, a codec‑robust audio watermarking framework designed to embed imperceptible signals into synthetic speech. CRAW enhances robustness against neural re‑synthesis, codecs, denoisers, and vocoders while preserving high perceptual quality through distortion‑aware training, attention‑based pooling, perceptual masking, and error‑correcting codes. Experiments show CRAW outperforms existing post‑hoc watermarking methods in robustness without compromising audio quality.
By David Chernin, Ethan Fetaya
AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution. However, existing audio watermarking research has largely focused on speech, and applying speech-oriented methods to music is challenging due to music's complex structure and rich acoustic texture.
arXiv:2607. 11117v1 Announce Type: cross Abstract: AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution.
By Seohwan Yun, Jeeyoung Yun, Yongjin Kim, Juyeon Lee, Sungwoong Kim
arXiv:2603. 05310v3 Announce Type: replace-cross Abstract: While existing audio watermarking techniques have achieved strong robustness against traditional digital signal processing (DSP) attacks, they remain vulnerable to neural compression.
By Yen-Shan Chen, Shih-Yu Lai, Ying-Jung Tsou, Yi-Cheng Lin, Bing-Yu Chen, Yun-Nung Chen, Hung-yi Lee, Shang-Tse Chen
Audio watermarking aims to embed identifiable information into audio while remaining imperceptible. Existing methods adopt high-fidelity, low-energy designs to preserve perceptual quality, but the resulting watermarks lack robustness under suppression by speech reconstruction models.
arXiv:2606. 11828v1 Announce Type: cross Abstract: Audio watermarking aims to embed identifiable information into audio while remaining imperceptible.
By Haiyun Li, Shuhai Peng, Zhisheng Zhang, Jingran Xie, Xiaofeng Xie, Hanyang Peng, Zhiyong Wu
Partial manipulation of speech recordings, where only localized segments of an utterance are altered, poses a significant challenge for content integrity verification, as reliable detection and locali...
Provenance watermarking is increasingly treated as a safeguard for synthetic speech, whether built directly into speech-generation models such as Chatterbox, provided through dedicated techniques such as AudioSeal, or deployed by commercial platforms such as ElevenLabs. We identify a previously uncharacterized liability: when synthetic speech is watermarked and human speech is not, detectors trained alongside latch onto the watermark as a spurious "watermark => fake" shortcut.
arXiv:2606. 23335v2 Announce Type: replace-cross Abstract: Provenance watermarking is increasingly treated as a safeguard for synthetic speech, whether built directly into speech-generation models such as Chatterbox, provided through dedicated techniques such as AudioSeal, or deployed by commercial platforms such as ElevenLabs.
By Nicolas M. M\"uller, Pascal Debus
The paper introduces Traceable TTS, a framework that enables Text‑to‑Speech systems to attribute synthesized speech to their source models without embedding explicit watermarks. By jointly training the TTS model and a discriminator, the method improves traceability generalization while maintaining or slightly enhancing audio quality. This represents the first attempt at watermark‑free TTS with strong traceability, and the authors plan to release the code to support further research.
By Yuxiang Zhao, Yunchong Xiao, Yushen Chen, Zhikang Niu, Shuai Wang, Kai Yu, Xie Chen
Partial deepfake speech, where only limited segments of an utterance are synthesized or manipulated, poses a significant challenge to existing deepfake detection systems. As the proportion of spoofed...
Neural audio codecs are a key component of speech processing pipelines, compressing audio into discrete tokens for downstream modeling. However, existing codecs struggle to balance reconstruction quality with token efficiency, often encoding perceptually irrelevant information such as background noise and recording artifacts at the expense of linguistically and acoustically meaningful content.