Low-light image enhancement (LLIE) methods involve tunable parameters that are typically fixed, often leading to performance degradation when applied across scenes. Manually selecting the best configuration, however, can be time-consuming and not always practical.
Low-light image enhancement is severely ill-posed when the input frame contains missing structure, saturated noise, and weak local contrast. Event cameras provide asynchronous brightness-change observations with high temporal resolution, but prior works often treat voxel channels as an unordered or static feature stack before fusion, rather than explicitly modeling their within-window temporal evolution, weakening the temporal evidence that makes events useful.
arXiv:2605. 24590v2 Announce Type: replace-cross Abstract: Low-light, long-exposure defocus deblurring remains a challenging problem due to the simultaneous presence of severe blur and complex biased noise.
By Ziyan Huang, Lang Wu, Hongji Wang, Yifei Liu, Dongliang Tang, Hongqiao Wang
Low-light imaging often introduces color bias caused by the low signal-to-noise ratio and the image formation process. Although recent low-light image enhancement methods have achieved strong brightness recovery, faithful color restoration remains challenging, manifesting as overall color bias together with local under- and over-saturation.
Camera intrinsics are vital for recovering 3D structure from 2D video. However, most 3D algorithms assume fixed intrinsics throughout a video, an assumption that often fails for real-world in-the-wild videos.
arXiv:2607. 03013v1 Announce Type: cross Abstract: Images captured by consumer electronic devices, such as mobile phones and digital cameras, often suffer from low-light degradation due to sensor limitations and imaging pipelines, which degrades visual quality and affects downstream vision tasks.
By Wanshu Fan, Xiangyu Li, Cong Wang, Kin-man Lam, Xin Yang, Haiyan Zhang, Dongsheng Zhou