We study the assignment of local tonalities to chord sequences, a task useful for harmonic analysis, composition, and jazz-oriented improvisation. Standard dynamic-programming approaches minimize modulations but can introduce unnecessarily many tonal centers.
arXiv:2606. 07334v1 Announce Type: cross Abstract: Harmony is a compact symbolic layer where mathematical pitch relations, acoustic consonance, and musical convention meet.
By Jinju Lee
arXiv:2608. 18025v1 Announce Type: cross Abstract: GPT-style models achieve strong performance by representing language with finite vocabularies of reusable discrete tokens.
By Yi Wang
arXiv:2605. 04998v2 Announce Type: replace-cross Abstract: This revision updates a pop-to-jazz chord-generation rehearsal study.
By Jinju Lee
arXiv:2603. 00610v3 Announce Type: replace-cross Abstract: While music generation models have evolved to handle complex multimodal inputs mixing text, lyrics, and reference audio, evaluation mechanisms have lagged behind.
By Yinghao Ma, Haiwen Xia, Hewei Gao, Weixiong Chen, Yuxin Ye, Yuchen Yang, Sungkyun Chang, Mingshuo Ding, Yizhi Li, Ruibin Yuan, Simon Dixon, Emmanouil Benetos
arXiv:2606. 05522v1 Announce Type: cross Abstract: Recent advancements in Large Language Models (LLMs) have shown promising results in music understanding and generation tasks.
By Faria Binte Kader, Mohtasim Hadi Rafi, Shah Wasif Sajjad, Santu Karmaker