Prior work on aesthetic composition typically produces a single aesthetically pleasing crop, overlooking the narrative value of composing multiple shots from one scene. In practice, multi-shot composition is critical for downstream creative workflows: commercial posters often require multiple crops with different emphases (e.
arXiv:2512. 12675v3 Announce Type: replace-cross Abstract: Subject-driven image generation has advanced from single- to multi-subject composition, while neglecting distinction, the ability to distinguish and generate the correct subject when inputs contain multiple candidates.
By Yuran Wang, Bohan Zeng, Chengzhuo Tong, Wenxuan Liu, Yang Shi, Xiaochen Ma, Hao Liang, Yuanxing Zhang, Wentao Zhang
arXiv:2606. 30347v1 Announce Type: cross Abstract: We present FFAvatar, a Transformer-based 3D Gaussian framework for fast construction of high-quality and animatable 4D head avatars from one or more reference portrait images.
By Jianjiang Yao, Ke Xian, Renxiang Dai, Robert Caiming Qiu
arXiv:2608. 07570v1 Announce Type: cross Abstract: Explainable aesthetic image cropping requires not only localizing a visually pleasing crop but also explaining why it is preferred.
By Rui Yang, Wei Zhou, Dingyong Gou, Xiaohui Cui, Cong Li, Yinyin Gong, Yipo Huang, Jiliang Zhao
arXiv:2606. 06885v1 Announce Type: cross Abstract: Human Image Animation has seen significant advancements, primarily driven by diffusion models.
By Yuan Zeng, Yujia Shi, Zongqing Lu, QingMin Liao
arXiv:2607. 10165v1 Announce Type: cross Abstract: Emotion-aware artistic image generation requires an image to match the input prompt, follow the specified artistic style, and convey the target emotion.
By Dexiang Hong, Yijie Guo, Weidong Chen, Xinyan Liu, Zixuan Zou, Zhendong Mao, Yongdong Zhang