arXiv:2608. 19211v1 Announce Type: cross Abstract: Human speech is richly expressive, with prosody carrying linguistic and emotional information beyond the lexical content.
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arXiv:2609.05871v1 Announce Type: cross Abstract: Audio-conditioned language models often underuse acoustic cues such as prosody, emotion, and non-speech sounds, raising the question of whether ASR-s...
arXiv:2608. 19515v1 Announce Type: new Abstract: Prosodic cues can convey task-relevant information that alters the trajectory and outcome of a task-oriented dialogue, even when the words themselves remain unchanged.
Prosodic cues can convey task-relevant information that alters the trajectory and outcome of a task-oriented dialogue, even when the words themselves remain unchanged. Yet existing benchmarks typically evaluate prosodic perception, response appropriateness, and task-oriented dialogue in isolation, making it difficult to test whether prosodic evidence changes downstream decisions.
The study investigates the internal workings of an audio language model (Qwen3-Omni) by applying a logit lens to its middle layers. It finds that the model’s reasoning about spoken questions becomes legible in words before any token is emitted, revealing language‑agnostic, paralinguistic, and temporally distinct signals that are causally used in the network’s decision process. The authors demonstrate that these signals can be isolated and mapped to specific layers, providing a qualitative account of how the model processes audio input.
The paper evaluates four Contrastive Decoding (CD) strategies for Large Audio Language Models (LALMs) and finds that Audio-Aware Decoding and Audio Contrastive Decoding are the most effective. Their performance varies across models, largely depending on the baseline error profile: CD reliably fixes errors where models incorrectly claim no audio or rely on uncertainty-driven guessing, but struggles with flawed reasoning or confident misassertions. A token-level analysis shows that CD’s suppression targets hesitation markers, explaining its limited impact on confident errors.
The paper presents the first music‑specific, layer‑wise empirical study of hallucination in audio‑language models, framing it as a hierarchical perceptual grounding failure across five layers: sound events, temporal properties, tonal attributes, style, and emotion. It introduces MuseDiag, a diagnostic framework that evaluates nine models and finds universal vocal misperception, significant tonal perception differences, and identifies Audio‑Flamingo‑3 as the most stable model. The study also proposes two training‑free mitigation methods, ADD‑M and TPA, which reduce hallucination in probing but show variable effectiveness in free‑form generation, highlighting the need for multi‑paradigm evaluation.