Multi subject video editing modifies designated subjects while preserving non target content, but faces cross subject attribute leakage, and occlusion ambiguity. Existing approaches rely on masks and...
arXiv:2609.36503v1 Announce Type: new
Abstract: Adding or removing a sounding object requires coordinated changes to visual content and sound while preserving the surrounding scene. Yet paired superv...
By Weihan Xu, Kan Jen Cheng, Koichi Saito, Jingyu Shi, Tingle Li, Yisi Liu, Liming Wang, Masato Ishii, Takashi Shibuya, Gopala Anumanchipalli, Paul Pu Liang
arXiv:2608.22819v1 Announce Type: new
Abstract: Text-conditioned image-to-video (I2V) generation has advanced rapidly, yet generating videos with multiple subjects remains challenging. A model must s...
By Yanliang Qi, Kexi Chen, Muchao Ye, Haomiao Ni
Text-conditioned image-to-video (I2V) generation has advanced rapidly, yet generating videos with multiple subjects remains challenging. A model must simultaneously preserve the appearance of each sub...
FacEDiT is a mask‑controlled model for editing local segments of talking head videos by infilling facial motion from speech and surrounding context. It uses a self‑supervised pretext task that masks a motion span during training, enabling variable‑duration local rewriting while preserving identity, unedited regions, and boundary continuity. The authors also release FacEDiTBench, a benchmark covering diverse edit types and lengths, and demonstrate that FacEDiT achieves accurate, speech‑aligned edits with strong identity preservation and seamless transitions.
By Kim Sung-Bin, Joohyun Chang, David Harwath, Tae-Hyun Oh
AV-FlowEdit is a training‑free, inversion‑free framework that enables prompt‑driven audio‑visual editing using joint audio‑video diffusion models. It leverages source‑to‑target flow differences to guide edits while preserving non‑target structure and cross‑modal correspondence. The method includes a Cross‑Modal Event‑Aware Spectral Trajectory Preservation module that suppresses drift by combining flow saliency, aligned audio activity, multiscale low‑frequency displacement, and diffusion‑stage scheduling, achieving strong prompt alignment, temporal consistency, and competitive audio quality.
By Shaohua Pan, Xiao Liu