arXiv:2607. 20796v1 Announce Type: new Abstract: This paper examines the question of whether artificial intelligence (AI) systems can be creative, approached from the dual perspective of a researcher trained in electrical engineering, pattern recognition, machine learning, and neural networks, who has also spent most of his life engaged in the arts as actor, stage and film director, writer, composer, and visual artist, and in philosophy.
By Ivan Magrin-Chagnolleau
arXiv:2607. 17940v1 Announce Type: cross Abstract: This paper frames Generative Artificial Intelligence (AI) not as an unprecedented technological rupture, but as an industrial-scale manifestation of a deeply rooted historical process.
By Giorgio Presti
arXiv:2606. 13196v1 Announce Type: new Abstract: Recent AI systems can generate texts, software architectures, hypotheses, designs, and scientific workflows that appear creative.
By Yong Zeng
The article discusses how generative AI is reshaping the creation and circulation of cultural artifacts, prompting debate over whether these tools enrich or impoverish culture. It distinguishes between novelty—an attribute of individual artifacts—and diversity—an attribute of populations—arguing that creativity should be viewed as a property of hybrid collectives composed of people and algorithms. The authors find that AI-assisted ideation increases the novelty of individual outputs while potentially narrowing overall diversity, but that mixed human–machine groups can outperform single-type groups and sustain machine-generated solutions within human culture, depending on the composition and connectivity of the agents involved.
By Mason Youngblood, Katie Mudd, Manuel Anglada-Tort, Cameron Jones, Elena Miu, Diana Omigie, Margaret Schedel
arXiv:2606. 13196v2 Announce Type: replace Abstract: Recent AI systems can generate texts, software architectures, hypotheses, designs, and scientific workflows that appear creative.
By Yong Zeng
arXiv:2606. 12086v1 Announce Type: new Abstract: Contextualized assessment offers high ecological validity for evaluating creativity but introduces a critical challenge: observed performance may be confounded with cognitive proficiency (domain knowledge) and agency (willingness to engage).
By Mingjia Li, Jin Wu, Hong Qian, Wenhao Huang, Yiyang Huang, Yiwen Zhang, Chanjin Zheng, Xiangfeng Wang, Aimin Zhou, Jiajun Guo