The paper introduces CRAW, a codec‑robust audio watermarking framework designed to embed imperceptible signals into synthetic speech. CRAW enhances robustness against neural re‑synthesis, codecs, denoisers, and vocoders while preserving high perceptual quality through distortion‑aware training, attention‑based pooling, perceptual masking, and error‑correcting codes. Experiments show CRAW outperforms existing post‑hoc watermarking methods in robustness without compromising audio quality.
By David Chernin, Ethan Fetaya
AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution. However, existing audio watermarking research has largely focused on speech, and applying speech-oriented methods to music is challenging due to music's complex structure and rich acoustic texture.
arXiv:2607. 11117v1 Announce Type: cross Abstract: AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution.
By Seohwan Yun, Jeeyoung Yun, Yongjin Kim, Juyeon Lee, Sungwoong Kim
arXiv:2603. 05310v3 Announce Type: replace-cross Abstract: While existing audio watermarking techniques have achieved strong robustness against traditional digital signal processing (DSP) attacks, they remain vulnerable to neural compression.
By Yen-Shan Chen, Shih-Yu Lai, Ying-Jung Tsou, Yi-Cheng Lin, Bing-Yu Chen, Yun-Nung Chen, Hung-yi Lee, Shang-Tse Chen
Audio watermarking aims to embed identifiable information into audio while remaining imperceptible. Existing methods adopt high-fidelity, low-energy designs to preserve perceptual quality, but the resulting watermarks lack robustness under suppression by speech reconstruction models.
arXiv:2606. 11828v1 Announce Type: cross Abstract: Audio watermarking aims to embed identifiable information into audio while remaining imperceptible.
By Haiyun Li, Shuhai Peng, Zhisheng Zhang, Jingran Xie, Xiaofeng Xie, Hanyang Peng, Zhiyong Wu