arXiv:2607. 11124v1 Announce Type: cross Abstract: Music creation is fundamentally a process of revision.
By Haoyu Gu, Lekai Qian, Haowu Zhou, Qi Liu, Shuai Wang
Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances.
arXiv:2606. 03169v1 Announce Type: cross Abstract: Recent song generation systems can synthesize realistic audio, yet generating complete songs remains challenging for two reasons.
By Xiaoyue Duan, Nanxing Hu, Yutang Feng, Xudong Yan, Jiatao Chen, Jinchao Zhang, Jie Zhou
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
By Scott H. Hawley
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
By Dmitrii Gavrilev, Ilya Borovik, Vladimir Viro
arXiv:2606. 02638v1 Announce Type: cross Abstract: Recent advances in neural song generation have enabled high-quality synthesis from lyrics and global textual prompts.
By Yuejiao Wang, Zihao Ji, Pengfei Cai, Xu Li, Haorui Zheng, Zewen Song, Zhongliang Liu, Chen Zhang, Pengfei Wan