COVER is a new video watermarking method that targets codec compression as its primary design goal. It embeds the watermark payload in the latent space of a frozen generative video autoencoder and recovers it by re‑encoding the received video into the same latent space. Using a differentiable codec surrogate bank, COVER achieves high bit accuracy across multiple codecs while keeping marked videos visually close to the originals.
arXiv:2608.29212v1 Announce Type: cross Abstract: Existing video watermarking systems are symmetric: the party that can verify a mark holds the extractor weights or generator secret and can therefore...
arXiv:2609.40031v1 Announce Type: cross Abstract: Digital image watermarking is increasingly critical in media contexts, as emerging regulations and industry practices require marking AI-generated co...
arXiv:2603. 05310v3 Announce Type: replace-cross Abstract: While existing audio watermarking techniques have achieved strong robustness against traditional digital signal processing (DSP) attacks, they remain vulnerable to neural compression.
arXiv:2606. 28027v1 Announce Type: cross Abstract: Neural video codecs have surpassed classical codecs in coding efficiency but remain impractical for deployment due to cross-platform incompatibility and high computational cost.
The paper introduces GVCC, a zero‑shot video compression framework that uses a pretrained generative video model as the decoder. GVCC transforms deterministic rectified‑flow samplers into stochastic processes, enabling the transmission of compressed information through per‑step stochastic innovations. The authors evaluate three GVCC variants—Text‑to‑Video, Image‑to‑Video, and First‑Last‑Frame‑to‑Video—on the UVG dataset, reporting perceptual, fidelity, and temporal metrics without claiming global rate‑distortion gains.
The paper introduces CRAW, a codec‑robust audio watermarking framework designed to embed imperceptible signals into synthetic speech. CRAW enhances robustness against neural re‑synthesis, codecs, denoisers, and vocoders while preserving high perceptual quality through distortion‑aware training, attention‑based pooling, perceptual masking, and error‑correcting codes. Experiments show CRAW outperforms existing post‑hoc watermarking methods in robustness without compromising audio quality.
The paper introduces PRESLEY, an end‑to‑end video streaming pipeline that uses generative AI layers to selectively degrade and restore less important regions of a frame. By replacing destructive block removal with adaptive in‑place degradation and signaling block strength via a side channel, PRESLEY achieves significant bitrate savings and improved background quality compared to its predecessor and pristine baselines. The authors also analyze the theoretical headroom of this architecture, quantifying remaining cost‑axis headroom and modeling post‑restoration damage to guide future rate‑distortion‑restoration selection.
The paper introduces MIRC, an overfitted image codec that quantizes and entropy‑codes all components—including latents, synthesis network, and entropy models—within a single end‑to‑end rate‑distortion framework inspired by NVRC. It adds a multi‑scale representation with cross‑stage parameter sharing to capture cross‑scale redundancy, yielding a 10.5 % BD‑rate saving over VVC on the CLIC2020 professional set. MIRC offers multiple configurations ranging from 1.2 to 2.9 kMAC per pixel, allowing decoding complexity to be tuned to deployment needs.
The paper introduces VoRTeC, a video compression framework that leverages a foundational flow model to encode latent video representations compactly and predict their positions along flow trajectories. By integrating multi‑scale priors and avoiding access to flow‑matching network parameters, VoRTeC achieves one‑step decoding with high perceptual fidelity, while maintaining temporal consistency through tail‑frame reuse and prior caching. Experiments show a 58% reduction in bit consumption compared to prior diffusion‑based methods and a decoding speed increase ranging from 3 to 197 times, reaching 13 FPS at 720p and 32 FPS at 480p.
Digital image watermarking is increasingly critical in media contexts, as emerging regulations and industry practices require marking AI-generated content and ensuring traceable sources to prevent man...
arXiv:2609.23586v1 Announce Type: new Abstract: The rapid development of video generative models (VGMs) has enabled the generation of highly realistic synthetic videos, raising concerns about the int...
arXiv:2609.39451v1 Announce Type: new Abstract: Progressive autoregressive image codecs provide an appealing paradigm for generative compression by quantizing continuous latents into discrete tokens,...