The paper introduces a unified multitask learning framework for Music Emotion Recognition that simultaneously handles categorical and dimensional emotion labels, enabling training across multiple datasets. It leverages musical features such as key and chords, MERT embeddings, and employs knowledge distillation from teacher models to a student model to improve generalization. Experiments on MTG‑Jamendo, DEAM, PMEmo, and EmoMusic show that this approach outperforms state‑of‑the‑art models, including the top MediaEval 2021 entry.
By Jaeyong Kang, Dorien Herremans
arXiv:2607. 06929v1 Announce Type: cross Abstract: Music aesthetic assessment is a challenging yet underexplored problem, requiring models to capture fine-grained, multi-dimensional human perceptual judgments.
By Sirui Zhang, Tianle Wang, Xinyi Tong, Peiyang Yu, Jishang Chen, Liangke Zhao, Haoxin Zhang, Duo Xu, Xin Jin, Feng Yu, Songchun Zhu
arXiv:2603. 00610v3 Announce Type: replace-cross Abstract: While music generation models have evolved to handle complex multimodal inputs mixing text, lyrics, and reference audio, evaluation mechanisms have lagged behind.
By Yinghao Ma, Haiwen Xia, Hewei Gao, Weixiong Chen, Yuxin Ye, Yuchen Yang, Sungkyun Chang, Mingshuo Ding, Yizhi Li, Ruibin Yuan, Simon Dixon, Emmanouil Benetos
The paper introduces an LLM-based framework for continuous dimensional emotion evaluation in multimodal dialogue, combining discrete emotion recognition with Valence-Arousal-Dominance (VAD) assessment on the IEMOCAP dataset. It incorporates acoustic cues as natural language descriptions via the SpeechCueLLM approach and evaluates six models from the LLaMA, GPT, and Qwen families using zero-shot, few-shot, and LoRA fine-tuning. LoRA-fine-tuned LLaMA models outperform prompt-engineered GPT models, achieving a new state-of-the-art Valence CCC of 0.7822, and ablation studies show that textual audio descriptions significantly benefit smaller models.
"whyItMatters":"The study demonstrates that domain adaptation through fine-tuning can surpass larger GPT models in multimodal emotion evaluation, highlighting the importance of tailored training for emotion recognition tasks."
By Yutong Hu, Jinho Choi
Chordonomicon is a new dataset of over 666,000 song-level symbolic chord progressions, each annotated with structural parts such as verse, chorus, and bridge, as well as genre and release date. The dataset was compiled by scraping user-generated progressions from multiple sources and shows strong similarity to established prior datasets. The authors also provide a reproducible benchmark suite for next chord prediction, evaluating RNN, GRU, and LSTM models across various context windows and data scales, and find that structural part annotations consistently improve prediction performance.
By Spyridon Kantarelis, Ioannis Liolitsas, Konstantinos Thomas, Vassilis Lyberatos, Edmund Dervakos, Giorgos Stamou
The paper compares text‑based and feature‑based models for recognizing compound emotions in real‑world videos. It proposes textualizing non‑verbal cues from audio and visual modalities into text to leverage large language models, while feature‑based models directly combine extracted multimodal features. Experiments on the C‑EXPR‑DB dataset show that feature‑based models outperform textualization in the wild, though textual models can excel when rich transcripts are available.
By Nicolas Richet, Soufiane Belharbi, Haseeb Aslam, Meike Emilie Schadt, Manuela Gonz\'alez-Gonz\'alez, Gustave Cortal, Alessandro Lameiras Koerich, Marco Pedersoli, Alain Finkel, Simon Bacon, Eric Granger
arXiv:2606. 00125v1 Announce Type: cross Abstract: Music recommendation systems typically treat songs as opaque tokens, relying on collaborative interaction histories which overlooks semantic or acoustic content.
By Srikar Prabhas Kandagatla, Sreehitha R. Narayana, Chandana Magapu, Swetha Mohan, Shamanth Kuthpadi, Hongjie Chen, Ryan A. Rossi, Franck Dernoncourt, Nesreen Ahmed
arXiv:2606. 27717v1 Announce Type: cross Abstract: Prosodic emphasis varies across languages, emotions, and speaking styles, yet existing emphasis detection models are largely trained and evaluated on monolingual neutral read speech.
By Megan Wei, Deepali Aneja, Jiaqi Su, Yunyun Wang, Haonan Chen, Zeyu Jin
arXiv:2609.22697v1 Announce Type: new
Abstract: Recently, text-to-speech systems have made significant progress in speech expressiveness and controllability. However, the speaking style of generated...
By Weizhen Bian, Sitong Cheng, Rongxiu Zhong, Jiahao Pan, Liumeng Xue, Boyi Kang, Shilei Zhang, Jinglei Liu, Yue Wang, Junlan Feng, Bei Liu, Wei Xue
arXiv:2607. 28876v1 Announce Type: cross Abstract: Music is often used as a medium for communicating emotion, with performers shaping perceived affect through interpretation.
By Joann Ching, Gerhard Widmer
arXiv:2608.28932v1 Announce Type: new
Abstract: Voice products increasingly need affective cues that are present in speech but absent from transcripts. We introduce VocalAffectBench, a public, test-o...
By Models Luc Debaupte, Tyler Baumgartner, Brandon Tai, Candice Fan, Bill Wang, Yi Zhong
arXiv:2606. 15694v1 Announce Type: cross Abstract: Multimodal large language models (MLLMs) have demonstrated remarkable capabilities in understanding complex multimodal content.
By Hangling Xie