arXiv:2606. 07387v1 Announce Type: new Abstract: State-of-the-art text-to-music generation systems rely on massive proprietary datasets and industrial-scale compute, making it impossible to disentangle architectural contributions from resource advantages.
arXiv:2606. 03116v1 Announce Type: cross Abstract: The rapid advancement of instruction-guided audio generation has highlighted the critical need for robust alignment evaluation.
arXiv:2511. 16757v2 Announce Type: replace-cross Abstract: Audio-language pretraining (ALP) holds promise for learning general-purpose audio representation, yet remains underexplored.
arXiv:2502. 16584v2 Announce Type: replace-cross Abstract: Recent advancements in audio tokenization have significantly enhanced the integration of audio capabilities into large language models (LLMs).
TEMPO is a unified model that adds temporally‑grounded capabilities to large audio‑language models, enabling timestamping of events, speakers, and sounds in audio, speech, and music. It introduces a supervised fine‑tuning stage featuring atomic timestamp tokens, a time‑aware projector with sinusoidal encodings, and a distance‑aware Gaussian loss, trained via a synthetic‑to‑real curriculum. Additionally, TEMPO employs reinforcement learning (GRPO) as a refinement step, and achieves state‑of‑the‑art performance on a benchmark of 10K samples across five timestamping tasks, surpassing Audio Flamingo Next and Qwen3‑Omni.
arXiv:2607. 27109v2 Announce Type: cross Abstract: With the development of audio large language models (AudioLLMs), audio captioning needs to move from brief descriptions toward open-ended and fine-grained free-form descriptions.
Generalizable Audio-to-Score (A2S) transcription is fundamentally constrained by the severe scarcity of high-quality, real-world paired data. Relying solely on existing human-annotated datasets often...
TUTTI is a new pre‑training framework for audio‑to‑score transcription that uses a large, fully synthetic multi‑instrument dataset generated by a symbolic music model. The approach trains a standard Transformer encoder‑decoder on these synthetic audio‑score pairs, producing a stronger foundational representation than single‑instrument training. When fine‑tuned on real datasets, TUTTI surpasses prior methods, achieving state‑of‑the‑art results and demonstrating strong cross‑instrument transferability.
arXiv:2606. 01802v1 Announce Type: cross Abstract: MOSS-Audio is a unified audio-language model for speech, environmental sound, and music understanding, supporting audio captioning, time-aware question answering, timestamped transcription, and audio-grounded reasoning.
arXiv:2606. 06615v1 Announce Type: cross Abstract: Retrieving music using natural language descriptions has improved with contrastive audio-text models such as CLAP, but current systems remain limited to coarse semantic queries.
The paper introduces an evaluation framework for structured audio captions that separates acoustic and semantic aspects, such as timestamped sound event descriptions. It covers five axes—tag sets, descriptions, reasoning, numeric measurements, and spectral profiles—using large language model judges for semantics and deterministic metrics for temporal and acoustic features. Controlled perturbations validate that the metrics are robust to paraphrases but sensitive to real semantic and acoustic errors.
arXiv:2606. 31259v1 Announce Type: cross Abstract: Diffusion-based text-to-audio (TTA) models achieve impressive synthesis quality but suffer from high inference latency due to iterative multi-step denoising.
arXiv:2603. 00610v3 Announce Type: replace-cross Abstract: While music generation models have evolved to handle complex multimodal inputs mixing text, lyrics, and reference audio, evaluation mechanisms have lagged behind.