arXiv:2608.28671v1 Announce Type: cross
Abstract: AI-generated art has sparked debates around potential plagiarism, as these images may closely resemble existing artworks. This research quantifies th...
By Diego Castro Elvira, Navil Pineda Rugerio, Jes\'us Garc\'ia-Ram\'irez, Cecilia Reyes-Pe\~na, Ricardo Ramos-Aguilar
The advent of foundation models have enabled a new era in zero-shot classification. Yet, key challenges persist. Despite their impressive generalization power that leverages the immense pre-training k...
arXiv:2608.31107v1 Announce Type: new
Abstract: The advent of foundation models have enabled a new era in zero-shot classification. Yet, key challenges persist. Despite their impressive generalizatio...
By Lucas Wojcik, Gabriel E. Lima, Sergio M. Silva Jr., Eduil Nascimento Jr., David Menotti
arXiv:2606. 24716v1 Announce Type: cross Abstract: Sparse autoencoders (SAEs) are increasingly used to extract interpretable concepts from vision and vision language models, yet existing evaluation methods largely rely on proxy metrics or qualitative inspection rather than measuring semantic correspondence.
By Jonas Klotz, Cassio F. Dantas, Pallavi Jain, Diego Marcos, Beg\"um Demir
arXiv:2607. 09104v1 Announce Type: cross Abstract: While the growing availability of image data has driven significant advances, labeling datasets remains costly and time-consuming.
By Camila Piscioneri Magalh\~aes, Lucas Pascotti Valem
ScoreMix is a self‑contained synthetic data generation method that improves recognition tasks by mixing class‑conditioned scores along reverse diffusion trajectories, thereby creating hard synthetic samples without external resources. The approach shows that selecting classes far apart in the discriminator’s embedding space yields larger performance gains, up to 3% more improvement than proximity‑based selection. Across eight public face recognition benchmarks, ScoreMix boosts accuracy by up to 7 percentage points, demonstrating robustness and practicality without hyperparameter tuning.
By Parsa Rahimi, Sebastien Marcel