arXiv:2607. 05902v1 Announce Type: cross Abstract: Chamber music, as a highly precise multi-part interactive system, contains a logic of "role assignment and dynamic interaction" that provides an extremely valuable blueprint for exploring human-computer collaborative composition paradigms.
By Yakun Liu, Zhiyu Jin, Hai Luan, Dong Liu, Xiaonan Li
arXiv:2511. 23304v2 Announce Type: replace Abstract: In this paper, we propose a novel Multi-Modal Scene Graph with Kolmogorov-Arnold Expert Network for Audio-Visual Question Answering (SHRIKE).
By Zijian Fu, Changsheng Lv, Xianlin Zhang, Mengshi Qi, Huadong Ma
arXiv:2607. 13587v1 Announce Type: cross Abstract: Automatic symbolic music analysis has made substantial progress, yet existing systems are typically designed for a single mode of use, such as full-score prediction, and therefore do not match the broader range of operations that arise in analysis workflows, including partial completion, local correction, and iterative refinement.
By Emmanouil Karystinaios, Johannes Hentschel, Markus Neuwirth, Gerhard Widmer
arXiv:2607. 06929v1 Announce Type: cross Abstract: Music aesthetic assessment is a challenging yet underexplored problem, requiring models to capture fine-grained, multi-dimensional human perceptual judgments.
By Sirui Zhang, Tianle Wang, Xinyi Tong, Peiyang Yu, Jishang Chen, Liangke Zhao, Haoxin Zhang, Duo Xu, Xin Jin, Feng Yu, Songchun Zhu
arXiv:2606. 06615v1 Announce Type: cross Abstract: Retrieving music using natural language descriptions has improved with contrastive audio-text models such as CLAP, but current systems remain limited to coarse semantic queries.
By Nishit Anand, Ashish Seth, Sreyan Ghosh, Dinesh Manocha, Ramani Duraiswami
arXiv:2606. 19727v1 Announce Type: cross Abstract: Language models have become essential tools in shaping modern workflows.
By Punit Kumar Singh, Niladri Ghosh, Advait Joshi{\i}nst, Shailee Choudhary, Michael F\"arber, Haiqin Yang