arXiv:2607. 06481v1 Announce Type: cross Abstract: We present PACR-Video, a parameter-efficient framework for multi-shot long video extrapolation that preserves recurring entities, scene structure, visual style, and causal progression without full generator fine-tuning.
By Anna C\'ordoba, Adam Puente Tercero, Nerea Angulo Hijo, Mar Linares Tercero, Julia Barrientos, Ainhoa Miranda, Jes\'us Olivera
arXiv:2606. 24107v1 Announce Type: cross Abstract: Short dramas, with their rapid shot rhythms, dialogue-driven focus shifts, and demanding cinematographic grounding, pose challenges that prompt-level or text-only video generation pipelines struggle to meet.
By Hengji Zhou, Sijie Liu, Jianrun Chen, Xingchen Zou, Lianghao Xia, Liqiang Nie
arXiv:2608. 17426v1 Announce Type: cross Abstract: We introduce Semantic Task Completion Video Generation, an outcome-oriented video generation task.
By Keyu Tu, Zhuowei Chen, Mengqi Huang, Yuxin Wang, Jiahao Zhu, Zhendong Mao, Yongdong Zhang
Short dramas, with their rapid shot rhythms, dialogue-driven focus shifts, and demanding cinematographic grounding, pose challenges that prompt-level or text-only video generation pipelines struggle to meet. We study plot-to-short-drama generation, where a global plot and local context are transformed into visually grounded multi-shot videos.
arXiv:2606. 13768v1 Announce Type: cross Abstract: Cinematic video depicts multiple subjects acting or interacting at specific moments, captured with deliberate camera movement, and stitched together by shot transitions.
By Sharath Girish, Tsai-Shien Chen, Zhikang Dong, Mukesh Singhal, Hao Chen, Sergey Tulyakov, Aliaksandr Siarohin
arXiv:2603. 10652v3 Announce Type: replace-cross Abstract: In real-world deployment, vision-language models often encounter disturbances such as weather, occlusion, and camera motion.
By Yangfan He, Changgyu Boo, Jaehong Yoon
arXiv:2606. 23327v2 Announce Type: replace-cross Abstract: Video editing has become essential in digital media creation, yet existing automated systems are restricted to short segment processing and domain-specific tasks.
By Hengji Zhou, Lingxuan Huang, Jian Wang, Bing Zhou, Si Wu, Lianghao Xia, Chao Huang
Prior work on aesthetic composition typically produces a single aesthetically pleasing crop, overlooking the narrative value of composing multiple shots from one scene. In practice, multi-shot composition is critical for downstream creative workflows: commercial posters often require multiple crops with different emphases (e.
arXiv:2608. 12290v1 Announce Type: cross Abstract: Modern black-box Image-to-Video (I2V) models offer powerful capabilities in automated content creation, yet their lack of fine-grained control and reliability presents significant challenges in professional workflows.
By Aman Tyagi, Hemanth Boinpally, Jonathan Chen, Douglas Gebert, Steven Hickson
arXiv:2606. 10620v1 Announce Type: cross Abstract: Image generation models now produce high-quality static images, yet their ability to represent how a visual world changes over time remains poorly understood.
By Xinrui Wu, Lichen Huang
arXiv:2606. 07649v1 Announce Type: cross Abstract: Long-form video generation requires systematic narrative planning and visual consistency that current short-clip methods cannot provide.
By Lingxuan Huang, Sizhe He, Hengji Zhou, Liqiang Nie, Lianghao Xia, Chao Huang
Modern black-box Image-to-Video (I2V) models offer powerful capabilities in automated content creation, yet their lack of fine-grained control and reliability presents significant challenges in professional workflows. Their inherent stochasticity causes minor variations in textual prompts or hyperparameters to yield drastically different outputs often necessitating inefficient, brute-force trial-and-error processes.