arXiv:2606. 20101v3 Announce Type: replace-cross Abstract: Audio editing aims to modify specific content in an existing audio clip according to a text instruction or description while preserving the remaining acoustic content.
By Liting Gao, Yonggang Zhu, Yaru Chen, Dongyu Wang, Shubin Zhang, Zhenbo Li, Jean-Yves Guillemaut, Wenwu Wang
arXiv:2607. 17526v1 Announce Type: cross Abstract: Zero-shot text-guided editing of real-world music recordings requires balancing semantic modification with faithful preservation of the original musical structure.
By Ali Boudaghi, Hadi Zare
Zero-shot text-guided editing of real-world music recordings requires balancing semantic modification with faithful preservation of the original musical structure. Although recent diffusion transformers trained with rectified flow have achieved remarkable success in text-to-music generation, extending them to edit existing recordings remains challenging because editing requires accurate deterministic inversion, reliable structural preservation, and numerically stable integration throughout the inversion and generation processes.
arXiv:2608. 06424v1 Announce Type: cross Abstract: Speech recordings often contain missing, corrupted, or incorrect regions that must be reconstructed or modified without re-synthesizing the entire utterance.
By Iftach Shoham, Tali Dror, Oren Gal, Haim Permuter, Gilad Katz, Eliya Nachmani
arXiv:2606. 15186v1 Announce Type: cross Abstract: Text-to-audio (TTA) generation has made significant strides, yet achieving precise and consistent audio editing remains a major challenge.
By Yuxuan Jiang, Mingyang Han, Yusheng Dai, Andong Wang, Tianhong Zhou, Jiaxin Ye, Dongxiao Wang, Haoxiang Shi, Boyu Li, Jun Song, Cheng Yu, Bo Zheng, Weibei Dou, Zehua Chen, Jun Zhu
arXiv:2608. 02673v1 Announce Type: cross Abstract: Speech editing for content creation requires precise control over both what an edit should do and where it should apply.
By Hankun Wang, Bohan Li, Shi Lian, Xiaoyu Gu, Jing Peng, Da Zheng, Colin Zhang, Kai Yu
Recent advances in generative video modeling have enabled diverse generation, reference-based synthesis, extension, and editing, but existing approaches often rely on fragmented task-specific models. A general model must distinguish heterogeneous target, source, and reference signals to determine what to generate, preserve, or use as guidance, while reducing interference among tasks.
The paper introduces Alignment-Free Text‑Audiobox (Text‑AB), a unified diffusion‑based framework that performs high‑quality voice dubbing and full‑duplex dialogue synthesis without requiring forced alignment. Text‑AB uses a latent diffusion model with DAC‑VAE features, achieving over 10× compression compared to prior EnCodec representations, and learns text‑speech alignment via cross‑attention. The authors pretrain a 3B‑parameter model on 480k hours of monolingual speech and fine‑tune it for cross‑lingual dubbing, full‑duplex dialogue, and emotional dialogue, reporting significant improvements in prosody, voice similarity, naturalness, and emotional expressivity over existing internal systems.
By Sanyuan Chen, Min-Jae Hwang, Sho Inoue, Anna Sun, Bokai Yu, David Kant, Dongmin Hyun, Dorian Desblancs, Gregory Antonovsky, Oleg Repin, Peng-Jen Chen, Xutai Ma, Zehai Tu, Juan Pino, Wei-Ning Hsu
arXiv:2607. 19895v1 Announce Type: cross Abstract: Text-guided video editing with diffusion models is impractically slow, hindered by costly multi-step sampling and inversion.
By Habin Lim, Gyeong-Moon Park
arXiv:2608.17566v2 Announce Type: replace
Abstract: The quality and diversity of instruction-based video editing datasets are steadily improving, yet existing datasets mainly focus on single editing...
By Fuchen Long, Cong Wang, Zitao Gao, Wenhao Zhong, Yu Cheng, Xiaolu Hou, Yan Li, Xiao Cao, Xinlong Sun, Xi Chen, Yu Liu
arXiv:2609.14344v1 Announce Type: cross
Abstract: Instruction-guided music editors typically process each request independently, limiting their ability to support workflows in which users progressive...
By Quoc-Huy Trinh, Minh-Van Nguyen, Debesh Jha
CoinVE-200K is a large, high‑quality dataset for compositional instruction‑guided video editing, featuring 1080p video‑editing pairs up to 201 frames long and containing 2–5 atomic editing operations per sample. The dataset covers diverse editing intents—targeting humans, objects, and backgrounds with addition, removal, modification, and stylization—while ensuring instruction faithfulness, visual quality, temporal consistency, and compositional diversity through a careful generation and filtering pipeline. CoinVE-Bench benchmarks these capabilities, and CoinVE-Edit, a 22B model built on Wan2.1‑T2V‑14B and Qwen3‑VL‑8B‑Instruct, demonstrates strong performance in instruction following, compositional editing accuracy, visual quality, and temporal consistency.