arXiv:2508. 08237v4 Announce Type: replace-cross Abstract: The emergence of audio-visual foundation models underscores the importance of reliably assessing their multi-modal understanding.
arXiv:2606. 07643v1 Announce Type: cross Abstract: Recent advances in Omni-Multimodal Large Language Models (Omni-MLLMs) have enabled strong integration of vision, audio, and language.
PRISM‑Bench is an audio‑centric diagnostic benchmark for text‑to‑audio‑video generation, built from 900 human‑verified samples. It evaluates audio along two axes—audio type (speech, music, sound) and sound‑source visibility (on‑screen vs. off‑screen)—across four perceptual dimensions (audio‑visual coherence, audio quality, audio expressiveness, and prompt following) using 35 fine‑grained criteria. The benchmark employs an enhanced MLLM‑as‑a‑Judge protocol that aligns strongly with human raters, revealing a performance gap between frontier and open‑source T2AV models and highlighting overfitting to perceptual fidelity while struggling with complex grounding and control tasks, especially for music and synchronized on‑screen audio.
arXiv:2609.23830v1 Announce Type: new Abstract: Comparing audio-visual deepfake detectors requires coordinating dataset adaptation, temporal input representation, model interfaces and experimental co...
arXiv:2605. 07061v2 Announce Type: replace-cross Abstract: Joint audio-video generation models are rapidly approaching professional production quality, raising a central question: do they understand audio-visual physics, or merely generate plausible sounds and frames that violate real-world consistency?
arXiv:2607. 03806v1 Announce Type: cross Abstract: Audio foundation models are widely adopted as general-purpose feature extractors, yet the internal structure of their learned representations remains insufficiently understood.
arXiv:2606. 10147v1 Announce Type: new Abstract: Multimodal Large Language Models (MLLMs) can listen and see, but how do audio and visual signals actually travel through the network to shape an answer?
arXiv:2605. 00873v2 Announce Type: replace-cross Abstract: The rapid advancement of photorealistic Text-to-Video (T2V) generation brings in an urgent need for up-to-date evaluation methods.
arXiv:2607. 15295v1 Announce Type: cross Abstract: We present AV-JEPA, an elegant multimodal extension of LeJEPA to audio-visual self-supervised learning.
arXiv:2606. 02642v1 Announce Type: cross Abstract: Despite the success of audio-visual large-language models (LLMs), they can produce plausible but ungrounded outputs, termed hallucination.
The paper evaluates audio‑visual predictive turn‑taking models trained on clean data when applied to a noisy cocktail‑party scenario derived from the AVCocktail dataset. Results show a consistent performance drop—up to 38% relative in weighted F1—across both audio and visual modalities, with fine‑tuning improving robustness but varying by modality and pre‑training data size. The study highlights differing generalisation and adaptation abilities of audio versus visual inputs and underscores the need for robust modelling strategies in noisy human interactions.
MADS (Multi-view Acoustic Descriptor Set) is a compact 19‑dimensional, physics‑informed descriptor set designed to capture spectral, temporal, mechanical, and stochastic aspects of audio signals. Unlike traditional log‑mel or MFCC representations, MADS encodes excitation, damping, periodicity, impulsiveness, and structural consistency in a unified multi‑view format. Evaluated on ESC‑10, ESC‑50, and MSoS datasets with classical machine learning models, MADS outperforms conventional 26‑D MFCC and 38‑D spectral‑summary baselines, achieving 81.00% on ESC‑10, 52.78% on ESC‑50, and 67.48% on MSoS while using roughly half the dimensionality of the 38‑D baseline.
arXiv:2606. 06907v1 Announce Type: cross Abstract: Large audio language models (LALMs) extend large language models with an audio encoder and large-scale audio data.