arXiv:2607. 04147v1 Announce Type: cross Abstract: Automated fine-grained perception of calligraphy styles--a task vital to cultural heritage preservation--remains a critical challenge for Large Vision-Language Models (LVLMs), largely constrained by existing datasets that suffer from modal mixture and flattened labels.
By Yinsheng Yao, Yan Liu, Chen Ye
arXiv:2608. 14435v1 Announce Type: cross Abstract: Frozen image embeddings from models such as CLIP are increasingly used to classify paintings by art-historical style, with high reported accuracy.
By Rory Ashton
arXiv:2609.21012v1 Announce Type: cross
Abstract: Artistic style classification is usually studied on complete artworks, where models can exploit global composition, spatial organisation, and iconogr...
By Sara Miketek, Biagio Barchielli, Nadeem Iqbal Kajla, Sinem Aslan
arXiv:2608.10706v3 Announce Type: replace
Abstract: Recent vision-language models demonstrate impressive general visual understanding, yet their art interpretation remains shallow: they describe surf...
By Shuai Wang, Wangyuan Ding, Yixian Shen, Jia-Hong Huang, Stevan Rudinac, Monika Kackovic, Nachoem Wijnberg, Marcel Worring
arXiv:2608.29644v1 Announce Type: cross
Abstract: Attributing an artwork to an artist has traditionally relied on detailed visual observations and descriptions, known as stylistic analysis in art his...
By Marc S. Walton, Astrid Harth
arXiv:2607. 18695v1 Announce Type: cross Abstract: A popular route to interpretable zero-shot classification asks a large language model (LLM) to describe each class name and prompts CLIP with the resulting descriptors.
By Gautam Rajendrakumar Gare, Jia Shi, Zhiqiu Lin, Deepak Pathak, John Galeotti, Deva Ramanan